1 10 9 https://s3.amazonaws.com/lynnbook/original/378d52113209bfec2e61c84cb60e0626.jpg 79f686790b26e2596deaf25370b20ab5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lynn Book Covers, 1990, club performance Description An account of the resource “Lynn Book Covers” was an evening length club performance composed of 3 separate sets at Club Lower Links, in Chicago at the time of the early 90s culture wars when gay rights was an imperative to combat the threat of the AIDS epidemic being ignored by Washington; when the artists’ prerogative was necessary in a time of attempted censorship by conservative political powers; and yet another American-led war in the Middle East was being prosecuted by the Bush (the elder) administration. The stripped down text-centered work in the first set was a biting, irreverent indictment of the current status of bodies under siege, with bits of personal material interwoven. The second set, was the first showing of “tongue”, a solo vocal text work that expanded from 18 minutes to 40 minutes. See that work in its own Project Collection. The 3rd set included a gender bending play with Book’s Bulgarian counterpart Kulov (replete with babushka's) singing Bulgarina folk songs, some of which were taught to Book by her collaborator. This Project Collection includes the complete project video documentation, performance cue cards with text, process cards with prompts for improvised portions, a later, more complete version of “tongue” (the original was handwritten on one connected loop-scroll of computer paper), a review and printed matter. Club Lower Links was the epicenter of experimentation, activism, adventurous music and anything else that didn’t fit neatly into more established gallery, museum or music spaces. The underground club, painted completely black, on Chicago’s northside near Wrigley Field, owned and operated by Leigh Jones, was most always packed with artists and culture warriors seeking a charge, and a refuge. Book was active on that scene, performing there regularly in her work and in others, as well as for benefits for non-profit arts organizations. This work marked a distinct shift for Book away from multimedia performance projects and established her as a vocal artist in her own right. Moving Image A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation. Player html for embedded player to stream video content <iframe width="480" height="360" src="//www.youtube.com/embed/e_p76F9vODA" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe> Imported Thumbnail If a thumbnail images was imported for an embedded video, its id is recorded here and the thumbnail is hidden on pages displaying the embedded video itself. https://i.ytimg.com/vi/e_p76F9vODA/default.jpg Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lynn Book Covers, 1991, Chicago, Club Lower Links, vocal performance, project video documentation Date A point or period of time associated with an event in the lifecycle of the resource 2022-03-15T19:46:36Z Source A related resource from which the described resource is derived http://youtu.be/e_p76F9vODA Rights Information about rights held in and over the resource <a href="https://www.youtube.com/static?template=terms">Standard YouTube License</a> Publisher An entity responsible for making the resource available Lynn Book Projects published via YouTube.com https://s3.amazonaws.com/lynnbook/original/b39dccde344fd756beadc309e7440506.pdf 43dc5d1d838ca7e41486e8dcf347a143 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lynn Book Covers, 1990, club performance Description An account of the resource “Lynn Book Covers” was an evening length club performance composed of 3 separate sets at Club Lower Links, in Chicago at the time of the early 90s culture wars when gay rights was an imperative to combat the threat of the AIDS epidemic being ignored by Washington; when the artists’ prerogative was necessary in a time of attempted censorship by conservative political powers; and yet another American-led war in the Middle East was being prosecuted by the Bush (the elder) administration. The stripped down text-centered work in the first set was a biting, irreverent indictment of the current status of bodies under siege, with bits of personal material interwoven. The second set, was the first showing of “tongue”, a solo vocal text work that expanded from 18 minutes to 40 minutes. See that work in its own Project Collection. The 3rd set included a gender bending play with Book’s Bulgarian counterpart Kulov (replete with babushka's) singing Bulgarina folk songs, some of which were taught to Book by her collaborator. This Project Collection includes the complete project video documentation, performance cue cards with text, process cards with prompts for improvised portions, a later, more complete version of “tongue” (the original was handwritten on one connected loop-scroll of computer paper), a review and printed matter. Club Lower Links was the epicenter of experimentation, activism, adventurous music and anything else that didn’t fit neatly into more established gallery, museum or music spaces. The underground club, painted completely black, on Chicago’s northside near Wrigley Field, owned and operated by Leigh Jones, was most always packed with artists and culture warriors seeking a charge, and a refuge. Book was active on that scene, performing there regularly in her work and in others, as well as for benefits for non-profit arts organizations. This work marked a distinct shift for Book away from multimedia performance projects and established her as a vocal artist in her own right. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lynn Book Covers, 1991, Chicago, vocal performance, performance text Identifier An unambiguous reference to the resource within a given context LBCovers_tongue_1991_Chgo_voc-perf_perftext Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource image;still image Relation A related resource Lynn Book Covers Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In Copyright - educational use allowed Date A point or period of time associated with an event in the lifecycle of the resource 1991 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- Illinois -- Cook -- Chicago Language A language of the resource eng; https://s3.amazonaws.com/lynnbook/original/eb58d5077d617f79def4df7030b82c50.pdf 1335d39307c94c5bf568f65cbbcd9c49 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lynn Book Covers, 1990, club performance Description An account of the resource “Lynn Book Covers” was an evening length club performance composed of 3 separate sets at Club Lower Links, in Chicago at the time of the early 90s culture wars when gay rights was an imperative to combat the threat of the AIDS epidemic being ignored by Washington; when the artists’ prerogative was necessary in a time of attempted censorship by conservative political powers; and yet another American-led war in the Middle East was being prosecuted by the Bush (the elder) administration. The stripped down text-centered work in the first set was a biting, irreverent indictment of the current status of bodies under siege, with bits of personal material interwoven. The second set, was the first showing of “tongue”, a solo vocal text work that expanded from 18 minutes to 40 minutes. See that work in its own Project Collection. The 3rd set included a gender bending play with Book’s Bulgarian counterpart Kulov (replete with babushka's) singing Bulgarina folk songs, some of which were taught to Book by her collaborator. This Project Collection includes the complete project video documentation, performance cue cards with text, process cards with prompts for improvised portions, a later, more complete version of “tongue” (the original was handwritten on one connected loop-scroll of computer paper), a review and printed matter. Club Lower Links was the epicenter of experimentation, activism, adventurous music and anything else that didn’t fit neatly into more established gallery, museum or music spaces. The underground club, painted completely black, on Chicago’s northside near Wrigley Field, owned and operated by Leigh Jones, was most always packed with artists and culture warriors seeking a charge, and a refuge. Book was active on that scene, performing there regularly in her work and in others, as well as for benefits for non-profit arts organizations. This work marked a distinct shift for Book away from multimedia performance projects and established her as a vocal artist in her own right. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lynn Book Covers, 1991, Chicago, vocal performance, process notes Identifier An unambiguous reference to the resource within a given context LBCovers_1991_Chgo_voc-perf_processnotes Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource image;still image Relation A related resource Lynn Book Covers Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In Copyright - educational use allowed Date A point or period of time associated with an event in the lifecycle of the resource 1991 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- Illinois -- Cook -- Chicago Language A language of the resource eng; https://s3.amazonaws.com/lynnbook/original/9a35994c011627a7872fc7c4dc2aafbb.pdf 2a9f696632c404bcb0ea15c7e5590f46 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lynn Book Covers, 1990, club performance Description An account of the resource “Lynn Book Covers” was an evening length club performance composed of 3 separate sets at Club Lower Links, in Chicago at the time of the early 90s culture wars when gay rights was an imperative to combat the threat of the AIDS epidemic being ignored by Washington; when the artists’ prerogative was necessary in a time of attempted censorship by conservative political powers; and yet another American-led war in the Middle East was being prosecuted by the Bush (the elder) administration. The stripped down text-centered work in the first set was a biting, irreverent indictment of the current status of bodies under siege, with bits of personal material interwoven. The second set, was the first showing of “tongue”, a solo vocal text work that expanded from 18 minutes to 40 minutes. See that work in its own Project Collection. The 3rd set included a gender bending play with Book’s Bulgarian counterpart Kulov (replete with babushka's) singing Bulgarina folk songs, some of which were taught to Book by her collaborator. This Project Collection includes the complete project video documentation, performance cue cards with text, process cards with prompts for improvised portions, a later, more complete version of “tongue” (the original was handwritten on one connected loop-scroll of computer paper), a review and printed matter. Club Lower Links was the epicenter of experimentation, activism, adventurous music and anything else that didn’t fit neatly into more established gallery, museum or music spaces. The underground club, painted completely black, on Chicago’s northside near Wrigley Field, owned and operated by Leigh Jones, was most always packed with artists and culture warriors seeking a charge, and a refuge. Book was active on that scene, performing there regularly in her work and in others, as well as for benefits for non-profit arts organizations. This work marked a distinct shift for Book away from multimedia performance projects and established her as a vocal artist in her own right. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lynn Book Covers, 1991, Chicago, Club Lower Links, club performance, performance structure notes Identifier An unambiguous reference to the resource within a given context LBCov_1991_Chgo-CLL_clubperf_perfstructnotes Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource image;still image Relation A related resource Lynn Book Covers Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In Copyright - Educational Use Allowed Date A point or period of time associated with an event in the lifecycle of the resource 1991 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- Illinois -- Cook -- Chicago -- Club Lower Links Language A language of the resource eng; https://s3.amazonaws.com/lynnbook/original/abd3cf8739e65ba46d4eb5edb5c35653.pdf b344814beee63ebc8f53ec968686b9b8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lynn Book Covers, 1990, club performance Description An account of the resource “Lynn Book Covers” was an evening length club performance composed of 3 separate sets at Club Lower Links, in Chicago at the time of the early 90s culture wars when gay rights was an imperative to combat the threat of the AIDS epidemic being ignored by Washington; when the artists’ prerogative was necessary in a time of attempted censorship by conservative political powers; and yet another American-led war in the Middle East was being prosecuted by the Bush (the elder) administration. The stripped down text-centered work in the first set was a biting, irreverent indictment of the current status of bodies under siege, with bits of personal material interwoven. The second set, was the first showing of “tongue”, a solo vocal text work that expanded from 18 minutes to 40 minutes. See that work in its own Project Collection. The 3rd set included a gender bending play with Book’s Bulgarian counterpart Kulov (replete with babushka's) singing Bulgarina folk songs, some of which were taught to Book by her collaborator. This Project Collection includes the complete project video documentation, performance cue cards with text, process cards with prompts for improvised portions, a later, more complete version of “tongue” (the original was handwritten on one connected loop-scroll of computer paper), a review and printed matter. Club Lower Links was the epicenter of experimentation, activism, adventurous music and anything else that didn’t fit neatly into more established gallery, museum or music spaces. The underground club, painted completely black, on Chicago’s northside near Wrigley Field, owned and operated by Leigh Jones, was most always packed with artists and culture warriors seeking a charge, and a refuge. Book was active on that scene, performing there regularly in her work and in others, as well as for benefits for non-profit arts organizations. This work marked a distinct shift for Book away from multimedia performance projects and established her as a vocal artist in her own right. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lynn Book Covers, 1991, Chicago, Club Lower Links, club performance, notecards Identifier An unambiguous reference to the resource within a given context LBCov_1991_Chgo-CLL_clubperf_notecards Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource image;still image Relation A related resource Lynn Book Covers Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In Copyright - Educational Use Allowed Date A point or period of time associated with an event in the lifecycle of the resource 1991 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- Illinois -- Cook -- Chicago -- Club Lower Links Language A language of the resource eng; https://s3.amazonaws.com/lynnbook/original/21896fbb2cbf74c6c6f181596ee490a8.pdf 008d6c48ca93d88654c50c175f8c647c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lynn Book Covers, 1990, club performance Description An account of the resource “Lynn Book Covers” was an evening length club performance composed of 3 separate sets at Club Lower Links, in Chicago at the time of the early 90s culture wars when gay rights was an imperative to combat the threat of the AIDS epidemic being ignored by Washington; when the artists’ prerogative was necessary in a time of attempted censorship by conservative political powers; and yet another American-led war in the Middle East was being prosecuted by the Bush (the elder) administration. The stripped down text-centered work in the first set was a biting, irreverent indictment of the current status of bodies under siege, with bits of personal material interwoven. The second set, was the first showing of “tongue”, a solo vocal text work that expanded from 18 minutes to 40 minutes. See that work in its own Project Collection. The 3rd set included a gender bending play with Book’s Bulgarian counterpart Kulov (replete with babushka's) singing Bulgarina folk songs, some of which were taught to Book by her collaborator. This Project Collection includes the complete project video documentation, performance cue cards with text, process cards with prompts for improvised portions, a later, more complete version of “tongue” (the original was handwritten on one connected loop-scroll of computer paper), a review and printed matter. Club Lower Links was the epicenter of experimentation, activism, adventurous music and anything else that didn’t fit neatly into more established gallery, museum or music spaces. The underground club, painted completely black, on Chicago’s northside near Wrigley Field, owned and operated by Leigh Jones, was most always packed with artists and culture warriors seeking a charge, and a refuge. Book was active on that scene, performing there regularly in her work and in others, as well as for benefits for non-profit arts organizations. This work marked a distinct shift for Book away from multimedia performance projects and established her as a vocal artist in her own right. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lynn Book Covers, 1991, Chicago, Club Lower Links, club performance, Pform review Identifier An unambiguous reference to the resource within a given context LBCov_1991_Chgo-CLL_clubperf_Pform-review Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource image;still image Relation A related resource Lynn Book Covers Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In Copyright - Educational Use Allowed Date A point or period of time associated with an event in the lifecycle of the resource 1991 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- Illinois -- Cook -- Chicago -- Club Lower Links Language A language of the resource eng; https://s3.amazonaws.com/lynnbook/original/5796cc773ec88eab7d7bbf3b9e392a3d.pdf 4c7d26045fb50c9c2249e5bfd0bb1298 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lynn Book Covers, 1990, club performance Description An account of the resource “Lynn Book Covers” was an evening length club performance composed of 3 separate sets at Club Lower Links, in Chicago at the time of the early 90s culture wars when gay rights was an imperative to combat the threat of the AIDS epidemic being ignored by Washington; when the artists’ prerogative was necessary in a time of attempted censorship by conservative political powers; and yet another American-led war in the Middle East was being prosecuted by the Bush (the elder) administration. The stripped down text-centered work in the first set was a biting, irreverent indictment of the current status of bodies under siege, with bits of personal material interwoven. The second set, was the first showing of “tongue”, a solo vocal text work that expanded from 18 minutes to 40 minutes. See that work in its own Project Collection. The 3rd set included a gender bending play with Book’s Bulgarian counterpart Kulov (replete with babushka's) singing Bulgarina folk songs, some of which were taught to Book by her collaborator. This Project Collection includes the complete project video documentation, performance cue cards with text, process cards with prompts for improvised portions, a later, more complete version of “tongue” (the original was handwritten on one connected loop-scroll of computer paper), a review and printed matter. Club Lower Links was the epicenter of experimentation, activism, adventurous music and anything else that didn’t fit neatly into more established gallery, museum or music spaces. The underground club, painted completely black, on Chicago’s northside near Wrigley Field, owned and operated by Leigh Jones, was most always packed with artists and culture warriors seeking a charge, and a refuge. Book was active on that scene, performing there regularly in her work and in others, as well as for benefits for non-profit arts organizations. This work marked a distinct shift for Book away from multimedia performance projects and established her as a vocal artist in her own right. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lynn Book Covers, 1991, Chicago, Club Lower Links, club performance, announcement 01 Identifier An unambiguous reference to the resource within a given context LBCov_1991_Chgo-CLL_clubperf_announcement01 Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource image;still image Relation A related resource Lynn Book Covers Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In Copyright - Educational Use Allowed Date A point or period of time associated with an event in the lifecycle of the resource 1991 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- Illinois -- Cook -- Chicago -- Club Lower Links Language A language of the resource eng; https://s3.amazonaws.com/lynnbook/original/cde19c862b0005e5db9a4717756d128e.pdf 44fe0ddc98f3d84d6f2a79526efda27d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lynn Book Covers, 1990, club performance Description An account of the resource “Lynn Book Covers” was an evening length club performance composed of 3 separate sets at Club Lower Links, in Chicago at the time of the early 90s culture wars when gay rights was an imperative to combat the threat of the AIDS epidemic being ignored by Washington; when the artists’ prerogative was necessary in a time of attempted censorship by conservative political powers; and yet another American-led war in the Middle East was being prosecuted by the Bush (the elder) administration. The stripped down text-centered work in the first set was a biting, irreverent indictment of the current status of bodies under siege, with bits of personal material interwoven. The second set, was the first showing of “tongue”, a solo vocal text work that expanded from 18 minutes to 40 minutes. See that work in its own Project Collection. The 3rd set included a gender bending play with Book’s Bulgarian counterpart Kulov (replete with babushka's) singing Bulgarina folk songs, some of which were taught to Book by her collaborator. This Project Collection includes the complete project video documentation, performance cue cards with text, process cards with prompts for improvised portions, a later, more complete version of “tongue” (the original was handwritten on one connected loop-scroll of computer paper), a review and printed matter. Club Lower Links was the epicenter of experimentation, activism, adventurous music and anything else that didn’t fit neatly into more established gallery, museum or music spaces. The underground club, painted completely black, on Chicago’s northside near Wrigley Field, owned and operated by Leigh Jones, was most always packed with artists and culture warriors seeking a charge, and a refuge. Book was active on that scene, performing there regularly in her work and in others, as well as for benefits for non-profit arts organizations. This work marked a distinct shift for Book away from multimedia performance projects and established her as a vocal artist in her own right. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lynn Book Covers, 1991, Chicago, Club Lower Links, club performance, announcement 02 Identifier An unambiguous reference to the resource within a given context LBCov_1991_Chgo-CLL_clubperf_announcement02 Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource image;still image Relation A related resource Lynn Book Covers Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In Copyright - Educational Use Allowed Date A point or period of time associated with an event in the lifecycle of the resource 1991 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- Illinois -- Cook -- Chicago -- Club Lower Links Language A language of the resource eng; https://s3.amazonaws.com/lynnbook/original/235049f9503d1f23009ce84be700af52.pdf 811cac85501338dd4fecde7e8a6d9b05 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lynn Book Covers, 1990, club performance Description An account of the resource “Lynn Book Covers” was an evening length club performance composed of 3 separate sets at Club Lower Links, in Chicago at the time of the early 90s culture wars when gay rights was an imperative to combat the threat of the AIDS epidemic being ignored by Washington; when the artists’ prerogative was necessary in a time of attempted censorship by conservative political powers; and yet another American-led war in the Middle East was being prosecuted by the Bush (the elder) administration. The stripped down text-centered work in the first set was a biting, irreverent indictment of the current status of bodies under siege, with bits of personal material interwoven. The second set, was the first showing of “tongue”, a solo vocal text work that expanded from 18 minutes to 40 minutes. See that work in its own Project Collection. The 3rd set included a gender bending play with Book’s Bulgarian counterpart Kulov (replete with babushka's) singing Bulgarina folk songs, some of which were taught to Book by her collaborator. This Project Collection includes the complete project video documentation, performance cue cards with text, process cards with prompts for improvised portions, a later, more complete version of “tongue” (the original was handwritten on one connected loop-scroll of computer paper), a review and printed matter. Club Lower Links was the epicenter of experimentation, activism, adventurous music and anything else that didn’t fit neatly into more established gallery, museum or music spaces. The underground club, painted completely black, on Chicago’s northside near Wrigley Field, owned and operated by Leigh Jones, was most always packed with artists and culture warriors seeking a charge, and a refuge. Book was active on that scene, performing there regularly in her work and in others, as well as for benefits for non-profit arts organizations. This work marked a distinct shift for Book away from multimedia performance projects and established her as a vocal artist in her own right. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lynn Book Covers, 1991, Chicago, Club Lower Links, club performance, flyer Identifier An unambiguous reference to the resource within a given context LBCov_1991_Chgo-CLL_clubperf_flyer Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource image;still image Relation A related resource Lynn Book Covers Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In Copyright - Educational Use Allowed Date A point or period of time associated with an event in the lifecycle of the resource 1991 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- Illinois -- Cook -- Chicago -- Club Lower Links Language A language of the resource eng;