3 10 57 https://s3.amazonaws.com/lynnbook/original/d8b1ad8e522221e1135a2782f8c73568.jpg f7e0a9337dfc28e886a1bb01aa9892f9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Early Works - Drawing, 1979-83 Description An account of the resource Drawing was an essential part of Lynn Book’s early art practices and has continued as such throughout her life as an artist. Even when focused primarily on performance projects and concert works for voice and text, drawing has endured as a mode of thinking, of visualizing thought, apparent mainly in her sketchbooks. However, periodic externalizations of drawings, sketches, diagrams are also part of the process of developing a multimedia performance project, such as “Gorgeous Fever” (1994-97). The artist returned to making drawings as graphic explorations in and of themselves in 2019. In this early collection of drawings, they occupy the status of ‘drawings in and of themselves’ when Book was studying at the Memphis College of Art (MCA) where she received a BFA in Sculpture. As was typical, Book experimented with form and materials and their relation to performative actions. In this group there are ‘drawings’ made with hair that the artist gathered from hair salons and barber shops around the city of Memphis. There are also ‘drawings’ that are really paintings on paper; others using unconventional media such as coal slag or liquid rubber. All of these files are digitized color photo slides shot by the artist with her 35mm camera using either ektachrome or kodachrome film and were exhibited within curated exhibitions or in pirate installations that the artist created. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource X Marks It, 1981, Memphis, Memphis College of Art, drawing, photo slide 07 Identifier An unambiguous reference to the resource within a given context XMarksIt_1981_Mphs-MCA_drawing_photoslide07 Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource image;still image Relation A related resource Early Works - Drawing Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In Copyright - Educational Use Allowed Date A point or period of time associated with an event in the lifecycle of the resource 1981 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- Tennessee -- Shelby -- Memphis -- MCA Language A language of the resource eng; https://s3.amazonaws.com/lynnbook/original/6f6a17037c62e61e3c195d3daa3db8ac.jpg eedf5aec749d0337da06114a35be3d46 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Early Works - Drawing, 1979-83 Description An account of the resource Drawing was an essential part of Lynn Book’s early art practices and has continued as such throughout her life as an artist. Even when focused primarily on performance projects and concert works for voice and text, drawing has endured as a mode of thinking, of visualizing thought, apparent mainly in her sketchbooks. However, periodic externalizations of drawings, sketches, diagrams are also part of the process of developing a multimedia performance project, such as “Gorgeous Fever” (1994-97). The artist returned to making drawings as graphic explorations in and of themselves in 2019. In this early collection of drawings, they occupy the status of ‘drawings in and of themselves’ when Book was studying at the Memphis College of Art (MCA) where she received a BFA in Sculpture. As was typical, Book experimented with form and materials and their relation to performative actions. In this group there are ‘drawings’ made with hair that the artist gathered from hair salons and barber shops around the city of Memphis. There are also ‘drawings’ that are really paintings on paper; others using unconventional media such as coal slag or liquid rubber. All of these files are digitized color photo slides shot by the artist with her 35mm camera using either ektachrome or kodachrome film and were exhibited within curated exhibitions or in pirate installations that the artist created. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource X Marks It, 1981, Memphis, Memphis College of Art, drawing, photo slide 08 Identifier An unambiguous reference to the resource within a given context XMarksIt_1981_Mphs-MCA_drawing_photoslide08 Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource image;still image Relation A related resource Early Works - Drawing Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In Copyright - Educational Use Allowed Date A point or period of time associated with an event in the lifecycle of the resource 1981 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- Tennessee -- Shelby -- Memphis -- MCA Language A language of the resource eng; https://s3.amazonaws.com/lynnbook/original/2350b0bb61c7301c89040b2c6e1a3cc8.jpg 658a8c7e864a8425a7d39c0a0f95f56c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Early Works - Drawing, 1979-83 Description An account of the resource Drawing was an essential part of Lynn Book’s early art practices and has continued as such throughout her life as an artist. Even when focused primarily on performance projects and concert works for voice and text, drawing has endured as a mode of thinking, of visualizing thought, apparent mainly in her sketchbooks. However, periodic externalizations of drawings, sketches, diagrams are also part of the process of developing a multimedia performance project, such as “Gorgeous Fever” (1994-97). The artist returned to making drawings as graphic explorations in and of themselves in 2019. In this early collection of drawings, they occupy the status of ‘drawings in and of themselves’ when Book was studying at the Memphis College of Art (MCA) where she received a BFA in Sculpture. As was typical, Book experimented with form and materials and their relation to performative actions. In this group there are ‘drawings’ made with hair that the artist gathered from hair salons and barber shops around the city of Memphis. There are also ‘drawings’ that are really paintings on paper; others using unconventional media such as coal slag or liquid rubber. All of these files are digitized color photo slides shot by the artist with her 35mm camera using either ektachrome or kodachrome film and were exhibited within curated exhibitions or in pirate installations that the artist created. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource X Marks It, 1981, Memphis, Memphis College of Art, drawing, photo slide 09 Identifier An unambiguous reference to the resource within a given context XMarksIt_1981_Mphs-MCA_drawing_photoslide09 Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource image;still image Relation A related resource Early Works - Drawing Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In Copyright - Educational Use Allowed Date A point or period of time associated with an event in the lifecycle of the resource 1981 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- Tennessee -- Shelby -- Memphis -- MCA Language A language of the resource eng; https://s3.amazonaws.com/lynnbook/original/e160ff8cd6b742c839550e81795d7fb3.pdf 4191c9ee57aaf4d3faa83cde3ab98407 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Early Works - Drawing, 1979-83 Description An account of the resource Drawing was an essential part of Lynn Book’s early art practices and has continued as such throughout her life as an artist. Even when focused primarily on performance projects and concert works for voice and text, drawing has endured as a mode of thinking, of visualizing thought, apparent mainly in her sketchbooks. However, periodic externalizations of drawings, sketches, diagrams are also part of the process of developing a multimedia performance project, such as “Gorgeous Fever” (1994-97). The artist returned to making drawings as graphic explorations in and of themselves in 2019. In this early collection of drawings, they occupy the status of ‘drawings in and of themselves’ when Book was studying at the Memphis College of Art (MCA) where she received a BFA in Sculpture. As was typical, Book experimented with form and materials and their relation to performative actions. In this group there are ‘drawings’ made with hair that the artist gathered from hair salons and barber shops around the city of Memphis. There are also ‘drawings’ that are really paintings on paper; others using unconventional media such as coal slag or liquid rubber. All of these files are digitized color photo slides shot by the artist with her 35mm camera using either ektachrome or kodachrome film and were exhibited within curated exhibitions or in pirate installations that the artist created. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Collaborative Drawing, 1980, Memphis, sketchbook drawing Identifier An unambiguous reference to the resource within a given context CollabDraw_1980_Mphs_sketchbookdrawing Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource image;still image Relation A related resource Early Works - Drawing Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In Copyright - Educational Use Allowed Date A point or period of time associated with an event in the lifecycle of the resource 1980 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- Tennessee -- Shelby --- Memphis Language A language of the resource eng; https://s3.amazonaws.com/lynnbook/original/8954b341617ab7e66159a60947e843d6.jpg 2e7a8c7913681fdf31f2cc42b35cab71 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Early Works - Drawing, 1979-83 Description An account of the resource Drawing was an essential part of Lynn Book’s early art practices and has continued as such throughout her life as an artist. Even when focused primarily on performance projects and concert works for voice and text, drawing has endured as a mode of thinking, of visualizing thought, apparent mainly in her sketchbooks. However, periodic externalizations of drawings, sketches, diagrams are also part of the process of developing a multimedia performance project, such as “Gorgeous Fever” (1994-97). The artist returned to making drawings as graphic explorations in and of themselves in 2019. In this early collection of drawings, they occupy the status of ‘drawings in and of themselves’ when Book was studying at the Memphis College of Art (MCA) where she received a BFA in Sculpture. As was typical, Book experimented with form and materials and their relation to performative actions. In this group there are ‘drawings’ made with hair that the artist gathered from hair salons and barber shops around the city of Memphis. There are also ‘drawings’ that are really paintings on paper; others using unconventional media such as coal slag or liquid rubber. All of these files are digitized color photo slides shot by the artist with her 35mm camera using either ektachrome or kodachrome film and were exhibited within curated exhibitions or in pirate installations that the artist created. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Game Map, 1981, Memphis, drawing, photo slide 01 Identifier An unambiguous reference to the resource within a given context GameMap_1981_Mphis_drawing_photoslide01 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource image;still image Relation A related resource Early Works - Drawing Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In Copyright - Educational Use Allowed Date A point or period of time associated with an event in the lifecycle of the resource 1981 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- Tennessee -- Shelby --- Memphis Language A language of the resource eng; https://s3.amazonaws.com/lynnbook/original/c4c47a4848913017bd52ee45b419d362.jpg e0000d19f2e6cb2111c33d0b59629d6e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Early Works - Drawing, 1979-83 Description An account of the resource Drawing was an essential part of Lynn Book’s early art practices and has continued as such throughout her life as an artist. Even when focused primarily on performance projects and concert works for voice and text, drawing has endured as a mode of thinking, of visualizing thought, apparent mainly in her sketchbooks. However, periodic externalizations of drawings, sketches, diagrams are also part of the process of developing a multimedia performance project, such as “Gorgeous Fever” (1994-97). The artist returned to making drawings as graphic explorations in and of themselves in 2019. In this early collection of drawings, they occupy the status of ‘drawings in and of themselves’ when Book was studying at the Memphis College of Art (MCA) where she received a BFA in Sculpture. As was typical, Book experimented with form and materials and their relation to performative actions. In this group there are ‘drawings’ made with hair that the artist gathered from hair salons and barber shops around the city of Memphis. There are also ‘drawings’ that are really paintings on paper; others using unconventional media such as coal slag or liquid rubber. All of these files are digitized color photo slides shot by the artist with her 35mm camera using either ektachrome or kodachrome film and were exhibited within curated exhibitions or in pirate installations that the artist created. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Game Map, 1981, Memphis, drawing, photo slide 02 Identifier An unambiguous reference to the resource within a given context GameMap_1981_Mphis_drawing_photoslide02 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource image;still image Relation A related resource Early Works - Drawing Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In Copyright - Educational Use Allowed Date A point or period of time associated with an event in the lifecycle of the resource 1981 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- Tennessee -- Shelby --- Memphis Language A language of the resource eng; https://s3.amazonaws.com/lynnbook/original/82ad9b1c2ca26336de2c566181326d8a.jpg 8afa20758fe5f7a21659fba78f52ff7e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Early Works - Drawing, 1979-83 Description An account of the resource Drawing was an essential part of Lynn Book’s early art practices and has continued as such throughout her life as an artist. Even when focused primarily on performance projects and concert works for voice and text, drawing has endured as a mode of thinking, of visualizing thought, apparent mainly in her sketchbooks. However, periodic externalizations of drawings, sketches, diagrams are also part of the process of developing a multimedia performance project, such as “Gorgeous Fever” (1994-97). The artist returned to making drawings as graphic explorations in and of themselves in 2019. In this early collection of drawings, they occupy the status of ‘drawings in and of themselves’ when Book was studying at the Memphis College of Art (MCA) where she received a BFA in Sculpture. As was typical, Book experimented with form and materials and their relation to performative actions. In this group there are ‘drawings’ made with hair that the artist gathered from hair salons and barber shops around the city of Memphis. There are also ‘drawings’ that are really paintings on paper; others using unconventional media such as coal slag or liquid rubber. All of these files are digitized color photo slides shot by the artist with her 35mm camera using either ektachrome or kodachrome film and were exhibited within curated exhibitions or in pirate installations that the artist created. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Game Map, 1981, Memphis, drawing, photo slide 03 Identifier An unambiguous reference to the resource within a given context GameMap_1981_Mphis_drawing_photoslide03 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource image;still image Relation A related resource Early Works - Drawing Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In Copyright - Educational Use Allowed Date A point or period of time associated with an event in the lifecycle of the resource 1981 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- Tennessee -- Shelby --- Memphis Language A language of the resource eng; https://s3.amazonaws.com/lynnbook/original/ccee51b168106fa7a466b38920b096d3.jpg d9b2a56d964b9bb12cc70bc10e112f5a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Early Works - Drawing, 1979-83 Description An account of the resource Drawing was an essential part of Lynn Book’s early art practices and has continued as such throughout her life as an artist. Even when focused primarily on performance projects and concert works for voice and text, drawing has endured as a mode of thinking, of visualizing thought, apparent mainly in her sketchbooks. However, periodic externalizations of drawings, sketches, diagrams are also part of the process of developing a multimedia performance project, such as “Gorgeous Fever” (1994-97). The artist returned to making drawings as graphic explorations in and of themselves in 2019. In this early collection of drawings, they occupy the status of ‘drawings in and of themselves’ when Book was studying at the Memphis College of Art (MCA) where she received a BFA in Sculpture. As was typical, Book experimented with form and materials and their relation to performative actions. In this group there are ‘drawings’ made with hair that the artist gathered from hair salons and barber shops around the city of Memphis. There are also ‘drawings’ that are really paintings on paper; others using unconventional media such as coal slag or liquid rubber. All of these files are digitized color photo slides shot by the artist with her 35mm camera using either ektachrome or kodachrome film and were exhibited within curated exhibitions or in pirate installations that the artist created. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Game Map, 1981, Memphis, drawing, photo slide 04 Identifier An unambiguous reference to the resource within a given context GameMap_1981_Mphis_drawing_photoslide04 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource image;still image Relation A related resource Early Works - Drawing Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In Copyright - Educational Use Allowed Date A point or period of time associated with an event in the lifecycle of the resource 1981 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- Tennessee -- Shelby --- Memphis Language A language of the resource eng; https://s3.amazonaws.com/lynnbook/original/111bb996d1f9824b5909029a4e5f1c3e.jpg 8bb078be694099c6a7d72a2fa19bfb6a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Early Works - Drawing, 1979-83 Description An account of the resource Drawing was an essential part of Lynn Book’s early art practices and has continued as such throughout her life as an artist. Even when focused primarily on performance projects and concert works for voice and text, drawing has endured as a mode of thinking, of visualizing thought, apparent mainly in her sketchbooks. However, periodic externalizations of drawings, sketches, diagrams are also part of the process of developing a multimedia performance project, such as “Gorgeous Fever” (1994-97). The artist returned to making drawings as graphic explorations in and of themselves in 2019. In this early collection of drawings, they occupy the status of ‘drawings in and of themselves’ when Book was studying at the Memphis College of Art (MCA) where she received a BFA in Sculpture. As was typical, Book experimented with form and materials and their relation to performative actions. In this group there are ‘drawings’ made with hair that the artist gathered from hair salons and barber shops around the city of Memphis. There are also ‘drawings’ that are really paintings on paper; others using unconventional media such as coal slag or liquid rubber. All of these files are digitized color photo slides shot by the artist with her 35mm camera using either ektachrome or kodachrome film and were exhibited within curated exhibitions or in pirate installations that the artist created. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Game Map, 1981, Memphis, drawing, photo slide 05 Identifier An unambiguous reference to the resource within a given context GameMap_1981_Mphis_drawing_photoslide05 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource image;still image Relation A related resource Early Works - Drawing Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In Copyright - Educational Use Allowed Date A point or period of time associated with an event in the lifecycle of the resource 1981 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- Tennessee -- Shelby --- Memphis Language A language of the resource eng; https://s3.amazonaws.com/lynnbook/original/0cb8787293785ed97cf93c5de680d137.jpg c9ba82f9eaa943c3e4791ff5ba6e4abb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Early Works - Drawing, 1979-83 Description An account of the resource Drawing was an essential part of Lynn Book’s early art practices and has continued as such throughout her life as an artist. Even when focused primarily on performance projects and concert works for voice and text, drawing has endured as a mode of thinking, of visualizing thought, apparent mainly in her sketchbooks. However, periodic externalizations of drawings, sketches, diagrams are also part of the process of developing a multimedia performance project, such as “Gorgeous Fever” (1994-97). The artist returned to making drawings as graphic explorations in and of themselves in 2019. In this early collection of drawings, they occupy the status of ‘drawings in and of themselves’ when Book was studying at the Memphis College of Art (MCA) where she received a BFA in Sculpture. As was typical, Book experimented with form and materials and their relation to performative actions. In this group there are ‘drawings’ made with hair that the artist gathered from hair salons and barber shops around the city of Memphis. There are also ‘drawings’ that are really paintings on paper; others using unconventional media such as coal slag or liquid rubber. All of these files are digitized color photo slides shot by the artist with her 35mm camera using either ektachrome or kodachrome film and were exhibited within curated exhibitions or in pirate installations that the artist created. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Game Map, 1981, Memphis, drawing, photo slide 06 Identifier An unambiguous reference to the resource within a given context GameMap_1981_Mphis_drawing_photoslide06 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource image;still image Relation A related resource Early Works - Drawing Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In Copyright - Educational Use Allowed Date A point or period of time associated with an event in the lifecycle of the resource 1981 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- Tennessee -- Shelby --- Memphis Language A language of the resource eng;