1
10
196
-
https://s3.amazonaws.com/lynnbook/original/401d53540a90e2b5da3c3a7fe080e383.jpg
bdea85d903a85dd2e47fa01f48510491
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Early Works - Performance Art, 1978-83
Description
An account of the resource
<p style="font-size: 12px;"><span style="font-weight: 400;">This collection of early performance art projects by Lynn Book, were expansive in their conceptual and material play and drew from the art historical moment of the late 70s, as well as from Book’s intrinsic physicality developed in her modern dance practice and study (including the boundary breaking postmodern experiments of ‘Judson Church’ dancers). The term “Performance Art” had only been coined in the early 70s to describe artists engaged with the process of engaging with material forms; performing material manipulations with their bodies. Book was in tune with these shifts in the landscape of art making having honed in on this new territory as a space for her, as a young woman, to freely explore her creative ideas that were already crossing disciplinary borders. From site-specific performance works, such as the “Advance and Stack” series to staged multimedia performances to performance installation works like those in the Up Front exhibition (1980-81). Book was also developing a nascent understanding of how women were mostly excluded from the larger art historical canon and created works that critiqued that paradigm, as in “Recent Paintings by Lynn Book”, a performance installation project at the short lived, but influential Randy Toy Gallery in Memphis.</span></p>
<p style="font-size: 12px;"><span style="font-weight: 400;">Because of the border crossing works, many of the works represented here, will also be found in the Early Works - Sculpture Collection as Book as creator and/or co-creator of the material constructions of the installations that would be performed in, and continue beyond the performance, its residue playing a central role in the experience of an installation site throughout an exhibition, such as “Build Up Break Down”, Up Front (1980-81).</span></p>
<ul style="font-size: 12px;">
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/39">Advance and Stack, 1978-80</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/40">An Evening of Performance Pieces, 1979</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/41">Hair Piece, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/42">3 on a couch, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/68">ABDK, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/70">Build Up Break Down, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/71">Count Up Count Down, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/69">That Which is Below, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/44">Recent Paintings by Lynn Book, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/45">Black and White and In Between, 1981</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/46">Weekly Calendar, 1982</a></li>
</ul>
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Recent Paintings by Lynn Book, 1980, Memphis, Toy Gallery, performance installation, photo slide 01
Identifier
An unambiguous reference to the resource within a given context
RecPaint_1980_Mphs-ToyGallery_perfinstall_photoslide01
Format
The file format, physical medium, or dimensions of the resource
image/jpeg
Type
The nature or genre of the resource
image;still image
Relation
A related resource
Early Works - Performance Art
Creator
An entity primarily responsible for making the resource
Book, Lynn
Rights
Information about rights held in and over the resource
In Copyright - Educational Use Allowed
Date
A point or period of time associated with an event in the lifecycle of the resource
1980
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
US -- Tennessee -- Shelby -- Memphis -- Toy Gallery
Language
A language of the resource
eng;
-
https://s3.amazonaws.com/lynnbook/original/7200b73e773ab864615e2528b68bda85.jpg
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Early Works - Performance Art, 1978-83
Description
An account of the resource
<p style="font-size: 12px;"><span style="font-weight: 400;">This collection of early performance art projects by Lynn Book, were expansive in their conceptual and material play and drew from the art historical moment of the late 70s, as well as from Book’s intrinsic physicality developed in her modern dance practice and study (including the boundary breaking postmodern experiments of ‘Judson Church’ dancers). The term “Performance Art” had only been coined in the early 70s to describe artists engaged with the process of engaging with material forms; performing material manipulations with their bodies. Book was in tune with these shifts in the landscape of art making having honed in on this new territory as a space for her, as a young woman, to freely explore her creative ideas that were already crossing disciplinary borders. From site-specific performance works, such as the “Advance and Stack” series to staged multimedia performances to performance installation works like those in the Up Front exhibition (1980-81). Book was also developing a nascent understanding of how women were mostly excluded from the larger art historical canon and created works that critiqued that paradigm, as in “Recent Paintings by Lynn Book”, a performance installation project at the short lived, but influential Randy Toy Gallery in Memphis.</span></p>
<p style="font-size: 12px;"><span style="font-weight: 400;">Because of the border crossing works, many of the works represented here, will also be found in the Early Works - Sculpture Collection as Book as creator and/or co-creator of the material constructions of the installations that would be performed in, and continue beyond the performance, its residue playing a central role in the experience of an installation site throughout an exhibition, such as “Build Up Break Down”, Up Front (1980-81).</span></p>
<ul style="font-size: 12px;">
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/39">Advance and Stack, 1978-80</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/40">An Evening of Performance Pieces, 1979</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/41">Hair Piece, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/42">3 on a couch, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/68">ABDK, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/70">Build Up Break Down, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/71">Count Up Count Down, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/69">That Which is Below, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/44">Recent Paintings by Lynn Book, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/45">Black and White and In Between, 1981</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/46">Weekly Calendar, 1982</a></li>
</ul>
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Recent Paintings by Lynn Book, 1980, Memphis, Toy Gallery, performance installation, photo slide 02
Identifier
An unambiguous reference to the resource within a given context
RecPaint_1980_Mphs-ToyGallery_perfinstall_photoslide02
Format
The file format, physical medium, or dimensions of the resource
image/jpeg
Type
The nature or genre of the resource
image;still image
Relation
A related resource
Early Works - Performance Art
Creator
An entity primarily responsible for making the resource
Book, Lynn
Rights
Information about rights held in and over the resource
In Copyright - Educational Use Allowed
Date
A point or period of time associated with an event in the lifecycle of the resource
1980
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
US -- Tennessee -- Shelby -- Memphis -- Toy Gallery
Language
A language of the resource
eng;
-
https://s3.amazonaws.com/lynnbook/original/d22a3a500aa5f6679e7f20e575d091ce.jpg
963d82ee9133820964fdc012ad7fc177
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Early Works - Performance Art, 1978-83
Description
An account of the resource
<p style="font-size: 12px;"><span style="font-weight: 400;">This collection of early performance art projects by Lynn Book, were expansive in their conceptual and material play and drew from the art historical moment of the late 70s, as well as from Book’s intrinsic physicality developed in her modern dance practice and study (including the boundary breaking postmodern experiments of ‘Judson Church’ dancers). The term “Performance Art” had only been coined in the early 70s to describe artists engaged with the process of engaging with material forms; performing material manipulations with their bodies. Book was in tune with these shifts in the landscape of art making having honed in on this new territory as a space for her, as a young woman, to freely explore her creative ideas that were already crossing disciplinary borders. From site-specific performance works, such as the “Advance and Stack” series to staged multimedia performances to performance installation works like those in the Up Front exhibition (1980-81). Book was also developing a nascent understanding of how women were mostly excluded from the larger art historical canon and created works that critiqued that paradigm, as in “Recent Paintings by Lynn Book”, a performance installation project at the short lived, but influential Randy Toy Gallery in Memphis.</span></p>
<p style="font-size: 12px;"><span style="font-weight: 400;">Because of the border crossing works, many of the works represented here, will also be found in the Early Works - Sculpture Collection as Book as creator and/or co-creator of the material constructions of the installations that would be performed in, and continue beyond the performance, its residue playing a central role in the experience of an installation site throughout an exhibition, such as “Build Up Break Down”, Up Front (1980-81).</span></p>
<ul style="font-size: 12px;">
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/39">Advance and Stack, 1978-80</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/40">An Evening of Performance Pieces, 1979</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/41">Hair Piece, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/42">3 on a couch, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/68">ABDK, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/70">Build Up Break Down, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/71">Count Up Count Down, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/69">That Which is Below, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/44">Recent Paintings by Lynn Book, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/45">Black and White and In Between, 1981</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/46">Weekly Calendar, 1982</a></li>
</ul>
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Recent Paintings by Lynn Book, 1980, Memphis, Toy Gallery, performance installation, photo slide 03
Identifier
An unambiguous reference to the resource within a given context
RecPaint_1980_Mphs-ToyGallery_perfinstall_photoslide03
Format
The file format, physical medium, or dimensions of the resource
image/jpeg
Type
The nature or genre of the resource
image;still image
Relation
A related resource
Early Works - Performance Art
Creator
An entity primarily responsible for making the resource
Book, Lynn
Rights
Information about rights held in and over the resource
In Copyright - Educational Use Allowed
Date
A point or period of time associated with an event in the lifecycle of the resource
1980
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
US -- Tennessee -- Shelby -- Memphis -- Toy Gallery
Language
A language of the resource
eng;
-
https://s3.amazonaws.com/lynnbook/original/ae70c2b9939b6fa30479cc8827e66581.jpg
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Early Works - Performance Art, 1978-83
Description
An account of the resource
<p style="font-size: 12px;"><span style="font-weight: 400;">This collection of early performance art projects by Lynn Book, were expansive in their conceptual and material play and drew from the art historical moment of the late 70s, as well as from Book’s intrinsic physicality developed in her modern dance practice and study (including the boundary breaking postmodern experiments of ‘Judson Church’ dancers). The term “Performance Art” had only been coined in the early 70s to describe artists engaged with the process of engaging with material forms; performing material manipulations with their bodies. Book was in tune with these shifts in the landscape of art making having honed in on this new territory as a space for her, as a young woman, to freely explore her creative ideas that were already crossing disciplinary borders. From site-specific performance works, such as the “Advance and Stack” series to staged multimedia performances to performance installation works like those in the Up Front exhibition (1980-81). Book was also developing a nascent understanding of how women were mostly excluded from the larger art historical canon and created works that critiqued that paradigm, as in “Recent Paintings by Lynn Book”, a performance installation project at the short lived, but influential Randy Toy Gallery in Memphis.</span></p>
<p style="font-size: 12px;"><span style="font-weight: 400;">Because of the border crossing works, many of the works represented here, will also be found in the Early Works - Sculpture Collection as Book as creator and/or co-creator of the material constructions of the installations that would be performed in, and continue beyond the performance, its residue playing a central role in the experience of an installation site throughout an exhibition, such as “Build Up Break Down”, Up Front (1980-81).</span></p>
<ul style="font-size: 12px;">
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/39">Advance and Stack, 1978-80</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/40">An Evening of Performance Pieces, 1979</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/41">Hair Piece, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/42">3 on a couch, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/68">ABDK, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/70">Build Up Break Down, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/71">Count Up Count Down, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/69">That Which is Below, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/44">Recent Paintings by Lynn Book, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/45">Black and White and In Between, 1981</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/46">Weekly Calendar, 1982</a></li>
</ul>
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Recent Paintings by Lynn Book, 1980, Memphis, Toy Gallery, performance installation, photo slide 04
Identifier
An unambiguous reference to the resource within a given context
RecPaint_1980_Mphs-ToyGallery_perfinstall_photoslide04
Format
The file format, physical medium, or dimensions of the resource
image/jpeg
Type
The nature or genre of the resource
image;still image
Relation
A related resource
Early Works - Performance Art
Creator
An entity primarily responsible for making the resource
Book, Lynn
Rights
Information about rights held in and over the resource
In Copyright - Educational Use Allowed
Date
A point or period of time associated with an event in the lifecycle of the resource
1980
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
US -- Tennessee -- Shelby -- Memphis -- Toy Gallery
Language
A language of the resource
eng;
-
https://s3.amazonaws.com/lynnbook/original/b2830d8209583781f9a63b632aa05b16.jpg
288b8fbbda5f88af65b3dc0124b26e5e
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Early Works - Performance Art, 1978-83
Description
An account of the resource
<p style="font-size: 12px;"><span style="font-weight: 400;">This collection of early performance art projects by Lynn Book, were expansive in their conceptual and material play and drew from the art historical moment of the late 70s, as well as from Book’s intrinsic physicality developed in her modern dance practice and study (including the boundary breaking postmodern experiments of ‘Judson Church’ dancers). The term “Performance Art” had only been coined in the early 70s to describe artists engaged with the process of engaging with material forms; performing material manipulations with their bodies. Book was in tune with these shifts in the landscape of art making having honed in on this new territory as a space for her, as a young woman, to freely explore her creative ideas that were already crossing disciplinary borders. From site-specific performance works, such as the “Advance and Stack” series to staged multimedia performances to performance installation works like those in the Up Front exhibition (1980-81). Book was also developing a nascent understanding of how women were mostly excluded from the larger art historical canon and created works that critiqued that paradigm, as in “Recent Paintings by Lynn Book”, a performance installation project at the short lived, but influential Randy Toy Gallery in Memphis.</span></p>
<p style="font-size: 12px;"><span style="font-weight: 400;">Because of the border crossing works, many of the works represented here, will also be found in the Early Works - Sculpture Collection as Book as creator and/or co-creator of the material constructions of the installations that would be performed in, and continue beyond the performance, its residue playing a central role in the experience of an installation site throughout an exhibition, such as “Build Up Break Down”, Up Front (1980-81).</span></p>
<ul style="font-size: 12px;">
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/39">Advance and Stack, 1978-80</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/40">An Evening of Performance Pieces, 1979</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/41">Hair Piece, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/42">3 on a couch, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/68">ABDK, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/70">Build Up Break Down, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/71">Count Up Count Down, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/69">That Which is Below, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/44">Recent Paintings by Lynn Book, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/45">Black and White and In Between, 1981</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/46">Weekly Calendar, 1982</a></li>
</ul>
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Recent Paintings by Lynn Book, 1980, Memphis, Toy Gallery, performance installation, photo slide 05
Identifier
An unambiguous reference to the resource within a given context
RecPaint_1980_Mphs-ToyGallery_perfinstall_photoslide05
Format
The file format, physical medium, or dimensions of the resource
image/jpeg
Type
The nature or genre of the resource
image;still image
Relation
A related resource
Early Works - Performance Art
Creator
An entity primarily responsible for making the resource
Book, Lynn
Rights
Information about rights held in and over the resource
In Copyright - Educational Use Allowed
Date
A point or period of time associated with an event in the lifecycle of the resource
1980
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
US -- Tennessee -- Shelby -- Memphis -- Toy Gallery
Language
A language of the resource
eng;
-
https://s3.amazonaws.com/lynnbook/original/c990d4edb8beb73a2c90945a9d942461.jpg
f7a8950665420f58992db163b08742f5
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Early Works - Performance Art, 1978-83
Description
An account of the resource
<p style="font-size: 12px;"><span style="font-weight: 400;">This collection of early performance art projects by Lynn Book, were expansive in their conceptual and material play and drew from the art historical moment of the late 70s, as well as from Book’s intrinsic physicality developed in her modern dance practice and study (including the boundary breaking postmodern experiments of ‘Judson Church’ dancers). The term “Performance Art” had only been coined in the early 70s to describe artists engaged with the process of engaging with material forms; performing material manipulations with their bodies. Book was in tune with these shifts in the landscape of art making having honed in on this new territory as a space for her, as a young woman, to freely explore her creative ideas that were already crossing disciplinary borders. From site-specific performance works, such as the “Advance and Stack” series to staged multimedia performances to performance installation works like those in the Up Front exhibition (1980-81). Book was also developing a nascent understanding of how women were mostly excluded from the larger art historical canon and created works that critiqued that paradigm, as in “Recent Paintings by Lynn Book”, a performance installation project at the short lived, but influential Randy Toy Gallery in Memphis.</span></p>
<p style="font-size: 12px;"><span style="font-weight: 400;">Because of the border crossing works, many of the works represented here, will also be found in the Early Works - Sculpture Collection as Book as creator and/or co-creator of the material constructions of the installations that would be performed in, and continue beyond the performance, its residue playing a central role in the experience of an installation site throughout an exhibition, such as “Build Up Break Down”, Up Front (1980-81).</span></p>
<ul style="font-size: 12px;">
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/39">Advance and Stack, 1978-80</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/40">An Evening of Performance Pieces, 1979</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/41">Hair Piece, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/42">3 on a couch, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/68">ABDK, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/70">Build Up Break Down, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/71">Count Up Count Down, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/69">That Which is Below, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/44">Recent Paintings by Lynn Book, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/45">Black and White and In Between, 1981</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/46">Weekly Calendar, 1982</a></li>
</ul>
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Recent Paintings by Lynn Book, 1980, Memphis, Toy Gallery, performance installation, photo slide 06
Identifier
An unambiguous reference to the resource within a given context
RecPaint_1980_Mphs-ToyGallery_perfinstall_photoslide06
Format
The file format, physical medium, or dimensions of the resource
image/jpeg
Type
The nature or genre of the resource
image;still image
Relation
A related resource
Early Works - Performance Art
Creator
An entity primarily responsible for making the resource
Book, Lynn
Rights
Information about rights held in and over the resource
In Copyright - Educational Use Allowed
Date
A point or period of time associated with an event in the lifecycle of the resource
1980
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
US -- Tennessee -- Shelby -- Memphis -- Toy Gallery
Language
A language of the resource
eng;
-
https://s3.amazonaws.com/lynnbook/original/a48032c406c52a87ceb6c074c5111451.jpg
0c5438df0c0620a670ea770900ca78cb
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Early Works - Performance Art, 1978-83
Description
An account of the resource
<p style="font-size: 12px;"><span style="font-weight: 400;">This collection of early performance art projects by Lynn Book, were expansive in their conceptual and material play and drew from the art historical moment of the late 70s, as well as from Book’s intrinsic physicality developed in her modern dance practice and study (including the boundary breaking postmodern experiments of ‘Judson Church’ dancers). The term “Performance Art” had only been coined in the early 70s to describe artists engaged with the process of engaging with material forms; performing material manipulations with their bodies. Book was in tune with these shifts in the landscape of art making having honed in on this new territory as a space for her, as a young woman, to freely explore her creative ideas that were already crossing disciplinary borders. From site-specific performance works, such as the “Advance and Stack” series to staged multimedia performances to performance installation works like those in the Up Front exhibition (1980-81). Book was also developing a nascent understanding of how women were mostly excluded from the larger art historical canon and created works that critiqued that paradigm, as in “Recent Paintings by Lynn Book”, a performance installation project at the short lived, but influential Randy Toy Gallery in Memphis.</span></p>
<p style="font-size: 12px;"><span style="font-weight: 400;">Because of the border crossing works, many of the works represented here, will also be found in the Early Works - Sculpture Collection as Book as creator and/or co-creator of the material constructions of the installations that would be performed in, and continue beyond the performance, its residue playing a central role in the experience of an installation site throughout an exhibition, such as “Build Up Break Down”, Up Front (1980-81).</span></p>
<ul style="font-size: 12px;">
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/39">Advance and Stack, 1978-80</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/40">An Evening of Performance Pieces, 1979</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/41">Hair Piece, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/42">3 on a couch, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/68">ABDK, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/70">Build Up Break Down, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/71">Count Up Count Down, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/69">That Which is Below, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/44">Recent Paintings by Lynn Book, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/45">Black and White and In Between, 1981</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/46">Weekly Calendar, 1982</a></li>
</ul>
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Recent Paintings by Lynn Book, 1980, Memphis, Toy Gallery, performance installation, photo slide 07
Identifier
An unambiguous reference to the resource within a given context
RecPaint_1980_Mphs-ToyGallery_perfinstall_photoslide07
Format
The file format, physical medium, or dimensions of the resource
image/jpeg
Type
The nature or genre of the resource
image;still image
Relation
A related resource
Early Works - Performance Art
Creator
An entity primarily responsible for making the resource
Book, Lynn
Rights
Information about rights held in and over the resource
In Copyright - Educational Use Allowed
Date
A point or period of time associated with an event in the lifecycle of the resource
1980
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
US -- Tennessee -- Shelby -- Memphis -- Toy Gallery
Language
A language of the resource
eng;
-
https://s3.amazonaws.com/lynnbook/original/ca970a7bed3bd2c809ba42d4518a8b2d.pdf
7d50db1397a98351a3621fddf6f1f972
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Early Works - Performance Art, 1978-83
Description
An account of the resource
<p style="font-size: 12px;"><span style="font-weight: 400;">This collection of early performance art projects by Lynn Book, were expansive in their conceptual and material play and drew from the art historical moment of the late 70s, as well as from Book’s intrinsic physicality developed in her modern dance practice and study (including the boundary breaking postmodern experiments of ‘Judson Church’ dancers). The term “Performance Art” had only been coined in the early 70s to describe artists engaged with the process of engaging with material forms; performing material manipulations with their bodies. Book was in tune with these shifts in the landscape of art making having honed in on this new territory as a space for her, as a young woman, to freely explore her creative ideas that were already crossing disciplinary borders. From site-specific performance works, such as the “Advance and Stack” series to staged multimedia performances to performance installation works like those in the Up Front exhibition (1980-81). Book was also developing a nascent understanding of how women were mostly excluded from the larger art historical canon and created works that critiqued that paradigm, as in “Recent Paintings by Lynn Book”, a performance installation project at the short lived, but influential Randy Toy Gallery in Memphis.</span></p>
<p style="font-size: 12px;"><span style="font-weight: 400;">Because of the border crossing works, many of the works represented here, will also be found in the Early Works - Sculpture Collection as Book as creator and/or co-creator of the material constructions of the installations that would be performed in, and continue beyond the performance, its residue playing a central role in the experience of an installation site throughout an exhibition, such as “Build Up Break Down”, Up Front (1980-81).</span></p>
<ul style="font-size: 12px;">
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/39">Advance and Stack, 1978-80</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/40">An Evening of Performance Pieces, 1979</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/41">Hair Piece, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/42">3 on a couch, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/68">ABDK, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/70">Build Up Break Down, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/71">Count Up Count Down, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/69">That Which is Below, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/44">Recent Paintings by Lynn Book, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/45">Black and White and In Between, 1981</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/46">Weekly Calendar, 1982</a></li>
</ul>
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Weekly Calendar, 1982, Memphis, concept performance, invitation
Identifier
An unambiguous reference to the resource within a given context
WeeklyCal_1982_Mphs-city_conceptperf_invitation
Format
The file format, physical medium, or dimensions of the resource
application/pdf
Type
The nature or genre of the resource
image;still image
Relation
A related resource
Early Works - Performance Art
Creator
An entity primarily responsible for making the resource
Book, Lynn
Rights
Information about rights held in and over the resource
In Copyright - Educational Use Allowed
Date
A point or period of time associated with an event in the lifecycle of the resource
1982
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
US -- Tennessee -- Shelby -- Memphis
Language
A language of the resource
eng;
-
https://s3.amazonaws.com/lynnbook/original/7c551916791ab3c253ec0553fa7d5e20.jpg
1d3f56746f2b13d7ced37ebe1108a31d
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Early Works - Performance Art, 1978-83
Description
An account of the resource
<p style="font-size: 12px;"><span style="font-weight: 400;">This collection of early performance art projects by Lynn Book, were expansive in their conceptual and material play and drew from the art historical moment of the late 70s, as well as from Book’s intrinsic physicality developed in her modern dance practice and study (including the boundary breaking postmodern experiments of ‘Judson Church’ dancers). The term “Performance Art” had only been coined in the early 70s to describe artists engaged with the process of engaging with material forms; performing material manipulations with their bodies. Book was in tune with these shifts in the landscape of art making having honed in on this new territory as a space for her, as a young woman, to freely explore her creative ideas that were already crossing disciplinary borders. From site-specific performance works, such as the “Advance and Stack” series to staged multimedia performances to performance installation works like those in the Up Front exhibition (1980-81). Book was also developing a nascent understanding of how women were mostly excluded from the larger art historical canon and created works that critiqued that paradigm, as in “Recent Paintings by Lynn Book”, a performance installation project at the short lived, but influential Randy Toy Gallery in Memphis.</span></p>
<p style="font-size: 12px;"><span style="font-weight: 400;">Because of the border crossing works, many of the works represented here, will also be found in the Early Works - Sculpture Collection as Book as creator and/or co-creator of the material constructions of the installations that would be performed in, and continue beyond the performance, its residue playing a central role in the experience of an installation site throughout an exhibition, such as “Build Up Break Down”, Up Front (1980-81).</span></p>
<ul style="font-size: 12px;">
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/39">Advance and Stack, 1978-80</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/40">An Evening of Performance Pieces, 1979</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/41">Hair Piece, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/42">3 on a couch, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/68">ABDK, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/70">Build Up Break Down, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/71">Count Up Count Down, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/69">That Which is Below, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/44">Recent Paintings by Lynn Book, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/45">Black and White and In Between, 1981</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/46">Weekly Calendar, 1982</a></li>
</ul>
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
That Which Is Below, 1980, Memphis, UpFront, performance installation, photo slide 01
Identifier
An unambiguous reference to the resource within a given context
ThatWhich_1980_Mphs-UpFront_perfinstall_photoslide01
Format
The file format, physical medium, or dimensions of the resource
image/jpeg
Type
The nature or genre of the resource
image;still image
Relation
A related resource
Early Works - Performance Art
Creator
An entity primarily responsible for making the resource
Book, Lynn
Rights
Information about rights held in and over the resource
In Copyright - Educational Use Allowed
Date
A point or period of time associated with an event in the lifecycle of the resource
1980
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
US -- Tennessee -- Shelby -- Memphis -- UpFront
Language
A language of the resource
eng;
-
https://s3.amazonaws.com/lynnbook/original/9f92d75e3d54cbd834708ac1ac7c04b0.jpg
a271c0b4e0ed05482f435d1fb3a30924
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Early Works - Performance Art, 1978-83
Description
An account of the resource
<p style="font-size: 12px;"><span style="font-weight: 400;">This collection of early performance art projects by Lynn Book, were expansive in their conceptual and material play and drew from the art historical moment of the late 70s, as well as from Book’s intrinsic physicality developed in her modern dance practice and study (including the boundary breaking postmodern experiments of ‘Judson Church’ dancers). The term “Performance Art” had only been coined in the early 70s to describe artists engaged with the process of engaging with material forms; performing material manipulations with their bodies. Book was in tune with these shifts in the landscape of art making having honed in on this new territory as a space for her, as a young woman, to freely explore her creative ideas that were already crossing disciplinary borders. From site-specific performance works, such as the “Advance and Stack” series to staged multimedia performances to performance installation works like those in the Up Front exhibition (1980-81). Book was also developing a nascent understanding of how women were mostly excluded from the larger art historical canon and created works that critiqued that paradigm, as in “Recent Paintings by Lynn Book”, a performance installation project at the short lived, but influential Randy Toy Gallery in Memphis.</span></p>
<p style="font-size: 12px;"><span style="font-weight: 400;">Because of the border crossing works, many of the works represented here, will also be found in the Early Works - Sculpture Collection as Book as creator and/or co-creator of the material constructions of the installations that would be performed in, and continue beyond the performance, its residue playing a central role in the experience of an installation site throughout an exhibition, such as “Build Up Break Down”, Up Front (1980-81).</span></p>
<ul style="font-size: 12px;">
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/39">Advance and Stack, 1978-80</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/40">An Evening of Performance Pieces, 1979</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/41">Hair Piece, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/42">3 on a couch, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/68">ABDK, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/70">Build Up Break Down, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/71">Count Up Count Down, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/69">That Which is Below, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/44">Recent Paintings by Lynn Book, 1980</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/45">Black and White and In Between, 1981</a></li>
<li><a href="https://lynnbook.archive.wfu.edu/collections/show/46">Weekly Calendar, 1982</a></li>
</ul>
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
That Which Is Below, 1980, Memphis, UpFront, performance installation, photo slide 02
Identifier
An unambiguous reference to the resource within a given context
ThatWhich_1980_Mphs-UpFront_perfinstall_photoslide02
Format
The file format, physical medium, or dimensions of the resource
image/jpeg
Type
The nature or genre of the resource
image;still image
Relation
A related resource
Early Works - Performance Art
Creator
An entity primarily responsible for making the resource
Book, Lynn
Rights
Information about rights held in and over the resource
In Copyright - Educational Use Allowed
Date
A point or period of time associated with an event in the lifecycle of the resource
1980
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
US -- Tennessee -- Shelby -- Memphis -- UpFront
Language
A language of the resource
eng;