1 10 116 https://s3.amazonaws.com/lynnbook/original/ca4794072e40923636c40b56c8a2e5b7.jpg 0f0b73245e639fed21fd15c0b58c5fff Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Vision, 1989-91, multimedia performance Description An account of the resource Lynn Book’s original multimedia performance project, Physical Vision, premiered at Randolph Street Gallery, in Chicago, December, 1989 and continued to be performed through 1990 at venues in Chicago and New York. For this solo project, Book was interrogating Woman’s subjectivity within and outside of patriarchal structures, in particular, via language and visual representation. Book’s provocative physicality in conjunction with disruptive writing and voice tactics challenged notions of the 19th C hysteric feminine that initiates the performance as a preset with the performer arranging flowers in a large vase as the audience enters the space. Sketching a disjointed trajectory Book transforms into a complexity of gender plays, ending with a typically masculinized rock and roller contemporary to the time of the performance in the late 1980s. The project marked the first time Book worked with a director - Jill Daly, and was a continuation of her collaboration with experimental filmmaker, Sharon Couzin that began with “Standing In”. Cousin shot and edited a short film, with Book (co-directing the film) and Daly performing that worked with selected text from Marguerite Duras’ “The Malady of Death”. Kent Devereaux composed sound for the project and Lou Mallozzi was the lighting designer. Book wrote and/or arranged found text (except for the Duras excerpt) and composed the vocal melodies. Items included in this collection include: video documentation from the Randolph Street Gallery and Organic Theater performances, as well as 2 studies; 60 color photo slides from the Organic Theater performance, performance text, a film for the performance, audio files played during the performance, press reviews, venue brochures, announcements. Collaborators/Credits: Lynn Book, artist, writer*, co-film director, co-sound designer, set and costume designer Jill Daly, director, co-performer in film Sharon Couzin, filmmaker, co-film director Kent Devereaux, composer, co-sound designer Lou Mallozzi, lighting designer *The performance text was written primarily by Book, but also included excerpts from Marguerite Duras’, “The Malady of Death”, a medieval description of odiferous atmospheres, edited by Piero Camporesi titled, “The Incorruptible Flesh: Bodily Mutation and Mortification in Religion and Folklore”, and a found text on the term corsage. A primary theoretical reference was Trinh T. Minh Haha’s, “Woman, Native, Other”. Additional references of note included critical French Feminists Helene Cixous and Luce Irigaray. Performances: Physical Vision, study, 1989, Club Lower Links, Chicago, benefit for Whitewalls, a magazine of writings by artists published in Chicago (1978-2002) Physical Vision, study, 1989, Memphis Center for Contemporary Art, Memphis Physical Vision, study, 1989, WKNO TV broadcast with interview, Memphis Physical Vision, premier, 1989, Randolph Street Gallery, Chicago Physical Vision, 1990, Organic Theater, Chicago Physical Vision, 1990, Chicago Academy for the Arts, Chicago Physical Vision, 1990, BACA Downtown, Brooklyn, NY Moving Image A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation. Player html for embedded player to stream video content <iframe width="480" height="360" src="//www.youtube.com/embed/fbe6R8amI6M" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe> Imported Thumbnail If a thumbnail images was imported for an embedded video, its id is recorded here and the thumbnail is hidden on pages displaying the embedded video itself. https://i.ytimg.com/vi/fbe6R8amI6M/default.jpg Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Vision, 1989, Chicago, Randolph Street Gallery, project video documentation Description An account of the resource Lynn Book’s original multimedia performance project, Physical Vision, premiered at Randolph Street Gallery, in Chicago, December, 1989 and continued to be performed through 1990 at venues in Chicago and New York. For this solo project, Book was interrogating Woman’s subjectivity within and outside of patriarchal structures, in particular, via language and visual representation. Books provocative physicality in conjunction with disruptive writing and voice tactics challenged notions of the 19th C hysteric feminine that begins the performance. Sketching a disjointed trajectory Book transforms into a complexity of gender plays, ending with a typically masculinized rock and roller contemporary to the time of the performance in the late 1980s. The project marked the first time Book worked with a director - Jill Daly, and continued her collaboration with experimental filmmaker, Sharon Couzin, making a short film, with Book and Daly performing that worked with selected text from Marguerite Duras’ “The Malady of Death”. Kent Devereaux composed sound for the project and Lou Mallozzi was the lighting designer. Book wrote and/or arranged found text (except for the Duras excerpt) and composed the vocal melodies. Date A point or period of time associated with an event in the lifecycle of the resource 2022-02-09T02:56:19Z Source A related resource from which the described resource is derived http://youtu.be/fbe6R8amI6M Rights Information about rights held in and over the resource <a href="https://www.youtube.com/static?template=terms">Standard YouTube License</a> Publisher An entity responsible for making the resource available Lynn Book Projects published via YouTube.com https://s3.amazonaws.com/lynnbook/original/477296d21e74c75b29bce959880cbd48.jpg 0b1a6f65eb83e36184ec1b7fbd40bbe4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Vision, 1989-91, multimedia performance Description An account of the resource Lynn Book’s original multimedia performance project, Physical Vision, premiered at Randolph Street Gallery, in Chicago, December, 1989 and continued to be performed through 1990 at venues in Chicago and New York. For this solo project, Book was interrogating Woman’s subjectivity within and outside of patriarchal structures, in particular, via language and visual representation. Book’s provocative physicality in conjunction with disruptive writing and voice tactics challenged notions of the 19th C hysteric feminine that initiates the performance as a preset with the performer arranging flowers in a large vase as the audience enters the space. Sketching a disjointed trajectory Book transforms into a complexity of gender plays, ending with a typically masculinized rock and roller contemporary to the time of the performance in the late 1980s. The project marked the first time Book worked with a director - Jill Daly, and was a continuation of her collaboration with experimental filmmaker, Sharon Couzin that began with “Standing In”. Cousin shot and edited a short film, with Book (co-directing the film) and Daly performing that worked with selected text from Marguerite Duras’ “The Malady of Death”. Kent Devereaux composed sound for the project and Lou Mallozzi was the lighting designer. Book wrote and/or arranged found text (except for the Duras excerpt) and composed the vocal melodies. Items included in this collection include: video documentation from the Randolph Street Gallery and Organic Theater performances, as well as 2 studies; 60 color photo slides from the Organic Theater performance, performance text, a film for the performance, audio files played during the performance, press reviews, venue brochures, announcements. Collaborators/Credits: Lynn Book, artist, writer*, co-film director, co-sound designer, set and costume designer Jill Daly, director, co-performer in film Sharon Couzin, filmmaker, co-film director Kent Devereaux, composer, co-sound designer Lou Mallozzi, lighting designer *The performance text was written primarily by Book, but also included excerpts from Marguerite Duras’, “The Malady of Death”, a medieval description of odiferous atmospheres, edited by Piero Camporesi titled, “The Incorruptible Flesh: Bodily Mutation and Mortification in Religion and Folklore”, and a found text on the term corsage. A primary theoretical reference was Trinh T. Minh Haha’s, “Woman, Native, Other”. Additional references of note included critical French Feminists Helene Cixous and Luce Irigaray. Performances: Physical Vision, study, 1989, Club Lower Links, Chicago, benefit for Whitewalls, a magazine of writings by artists published in Chicago (1978-2002) Physical Vision, study, 1989, Memphis Center for Contemporary Art, Memphis Physical Vision, study, 1989, WKNO TV broadcast with interview, Memphis Physical Vision, premier, 1989, Randolph Street Gallery, Chicago Physical Vision, 1990, Organic Theater, Chicago Physical Vision, 1990, Chicago Academy for the Arts, Chicago Physical Vision, 1990, BACA Downtown, Brooklyn, NY Moving Image A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation. Player html for embedded player to stream video content <iframe width="480" height="360" src="//www.youtube.com/embed/lbeeiTCt47M" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe> Imported Thumbnail If a thumbnail images was imported for an embedded video, its id is recorded here and the thumbnail is hidden on pages displaying the embedded video itself. https://i.ytimg.com/vi/lbeeiTCt47M/default.jpg Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Vision, performance study, 1989, Chicago, Club Lower Links, video documentation Date A point or period of time associated with an event in the lifecycle of the resource 2020-12-03T19:59:59Z Source A related resource from which the described resource is derived http://youtu.be/lbeeiTCt47M Rights Information about rights held in and over the resource <a href="https://www.youtube.com/static?template=terms">Standard YouTube License</a> Publisher An entity responsible for making the resource available Lynn Book Projects published via YouTube.com https://s3.amazonaws.com/lynnbook/original/409f85a9b089911237d52d6b3d0030c6.jpg f186ee9c8a7881702213ae32a6c46169 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Vision, 1989-91, multimedia performance Description An account of the resource Lynn Book’s original multimedia performance project, Physical Vision, premiered at Randolph Street Gallery, in Chicago, December, 1989 and continued to be performed through 1990 at venues in Chicago and New York. For this solo project, Book was interrogating Woman’s subjectivity within and outside of patriarchal structures, in particular, via language and visual representation. Book’s provocative physicality in conjunction with disruptive writing and voice tactics challenged notions of the 19th C hysteric feminine that initiates the performance as a preset with the performer arranging flowers in a large vase as the audience enters the space. Sketching a disjointed trajectory Book transforms into a complexity of gender plays, ending with a typically masculinized rock and roller contemporary to the time of the performance in the late 1980s. The project marked the first time Book worked with a director - Jill Daly, and was a continuation of her collaboration with experimental filmmaker, Sharon Couzin that began with “Standing In”. Cousin shot and edited a short film, with Book (co-directing the film) and Daly performing that worked with selected text from Marguerite Duras’ “The Malady of Death”. Kent Devereaux composed sound for the project and Lou Mallozzi was the lighting designer. Book wrote and/or arranged found text (except for the Duras excerpt) and composed the vocal melodies. Items included in this collection include: video documentation from the Randolph Street Gallery and Organic Theater performances, as well as 2 studies; 60 color photo slides from the Organic Theater performance, performance text, a film for the performance, audio files played during the performance, press reviews, venue brochures, announcements. Collaborators/Credits: Lynn Book, artist, writer*, co-film director, co-sound designer, set and costume designer Jill Daly, director, co-performer in film Sharon Couzin, filmmaker, co-film director Kent Devereaux, composer, co-sound designer Lou Mallozzi, lighting designer *The performance text was written primarily by Book, but also included excerpts from Marguerite Duras’, “The Malady of Death”, a medieval description of odiferous atmospheres, edited by Piero Camporesi titled, “The Incorruptible Flesh: Bodily Mutation and Mortification in Religion and Folklore”, and a found text on the term corsage. A primary theoretical reference was Trinh T. Minh Haha’s, “Woman, Native, Other”. Additional references of note included critical French Feminists Helene Cixous and Luce Irigaray. Performances: Physical Vision, study, 1989, Club Lower Links, Chicago, benefit for Whitewalls, a magazine of writings by artists published in Chicago (1978-2002) Physical Vision, study, 1989, Memphis Center for Contemporary Art, Memphis Physical Vision, study, 1989, WKNO TV broadcast with interview, Memphis Physical Vision, premier, 1989, Randolph Street Gallery, Chicago Physical Vision, 1990, Organic Theater, Chicago Physical Vision, 1990, Chicago Academy for the Arts, Chicago Physical Vision, 1990, BACA Downtown, Brooklyn, NY Moving Image A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation. Player html for embedded player to stream video content <iframe width="480" height="360" src="//www.youtube.com/embed/lhWBTJ-hzbM" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe> Imported Thumbnail If a thumbnail images was imported for an embedded video, its id is recorded here and the thumbnail is hidden on pages displaying the embedded video itself. https://i.ytimg.com/vi/lhWBTJ-hzbM/default.jpg Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Vision, performance study, 1990, Chicago Academy for the Arts, video documentation Date A point or period of time associated with an event in the lifecycle of the resource 2020-12-03T19:56:26Z Source A related resource from which the described resource is derived http://youtu.be/lhWBTJ-hzbM Rights Information about rights held in and over the resource <a href="https://www.youtube.com/static?template=terms">Standard YouTube License</a> Publisher An entity responsible for making the resource available Lynn Book Projects published via YouTube.com https://s3.amazonaws.com/lynnbook/original/4361c1aba9c4c1d015978853a8a1fa1b.jpg 40ba83b775b621138e98904d62d839a3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Vision, 1989-91, multimedia performance Description An account of the resource Lynn Book’s original multimedia performance project, Physical Vision, premiered at Randolph Street Gallery, in Chicago, December, 1989 and continued to be performed through 1990 at venues in Chicago and New York. For this solo project, Book was interrogating Woman’s subjectivity within and outside of patriarchal structures, in particular, via language and visual representation. Book’s provocative physicality in conjunction with disruptive writing and voice tactics challenged notions of the 19th C hysteric feminine that initiates the performance as a preset with the performer arranging flowers in a large vase as the audience enters the space. Sketching a disjointed trajectory Book transforms into a complexity of gender plays, ending with a typically masculinized rock and roller contemporary to the time of the performance in the late 1980s. The project marked the first time Book worked with a director - Jill Daly, and was a continuation of her collaboration with experimental filmmaker, Sharon Couzin that began with “Standing In”. Cousin shot and edited a short film, with Book (co-directing the film) and Daly performing that worked with selected text from Marguerite Duras’ “The Malady of Death”. Kent Devereaux composed sound for the project and Lou Mallozzi was the lighting designer. Book wrote and/or arranged found text (except for the Duras excerpt) and composed the vocal melodies. Items included in this collection include: video documentation from the Randolph Street Gallery and Organic Theater performances, as well as 2 studies; 60 color photo slides from the Organic Theater performance, performance text, a film for the performance, audio files played during the performance, press reviews, venue brochures, announcements. Collaborators/Credits: Lynn Book, artist, writer*, co-film director, co-sound designer, set and costume designer Jill Daly, director, co-performer in film Sharon Couzin, filmmaker, co-film director Kent Devereaux, composer, co-sound designer Lou Mallozzi, lighting designer *The performance text was written primarily by Book, but also included excerpts from Marguerite Duras’, “The Malady of Death”, a medieval description of odiferous atmospheres, edited by Piero Camporesi titled, “The Incorruptible Flesh: Bodily Mutation and Mortification in Religion and Folklore”, and a found text on the term corsage. A primary theoretical reference was Trinh T. Minh Haha’s, “Woman, Native, Other”. Additional references of note included critical French Feminists Helene Cixous and Luce Irigaray. Performances: Physical Vision, study, 1989, Club Lower Links, Chicago, benefit for Whitewalls, a magazine of writings by artists published in Chicago (1978-2002) Physical Vision, study, 1989, Memphis Center for Contemporary Art, Memphis Physical Vision, study, 1989, WKNO TV broadcast with interview, Memphis Physical Vision, premier, 1989, Randolph Street Gallery, Chicago Physical Vision, 1990, Organic Theater, Chicago Physical Vision, 1990, Chicago Academy for the Arts, Chicago Physical Vision, 1990, BACA Downtown, Brooklyn, NY Moving Image A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation. Player html for embedded player to stream video content <iframe width="480" height="360" src="//www.youtube.com/embed/rJqdCb6VVt4" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe> Imported Thumbnail If a thumbnail images was imported for an embedded video, its id is recorded here and the thumbnail is hidden on pages displaying the embedded video itself. https://i.ytimg.com/vi/rJqdCb6VVt4/default.jpg Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Vision, 1990, Chicago, Organic Theater, project video documentation, part 1 Date A point or period of time associated with an event in the lifecycle of the resource 2022-03-15T20:12:13Z Source A related resource from which the described resource is derived http://youtu.be/rJqdCb6VVt4 Rights Information about rights held in and over the resource <a href="https://www.youtube.com/static?template=terms">Standard YouTube License</a> Publisher An entity responsible for making the resource available Lynn Book Projects published via YouTube.com https://s3.amazonaws.com/lynnbook/original/9d67a1e39c4b2501780db00dc71fd2b2.jpg 713ac845a179670bbb3640987f99f79e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Vision, 1989-91, multimedia performance Description An account of the resource Lynn Book’s original multimedia performance project, Physical Vision, premiered at Randolph Street Gallery, in Chicago, December, 1989 and continued to be performed through 1990 at venues in Chicago and New York. For this solo project, Book was interrogating Woman’s subjectivity within and outside of patriarchal structures, in particular, via language and visual representation. Book’s provocative physicality in conjunction with disruptive writing and voice tactics challenged notions of the 19th C hysteric feminine that initiates the performance as a preset with the performer arranging flowers in a large vase as the audience enters the space. Sketching a disjointed trajectory Book transforms into a complexity of gender plays, ending with a typically masculinized rock and roller contemporary to the time of the performance in the late 1980s. The project marked the first time Book worked with a director - Jill Daly, and was a continuation of her collaboration with experimental filmmaker, Sharon Couzin that began with “Standing In”. Cousin shot and edited a short film, with Book (co-directing the film) and Daly performing that worked with selected text from Marguerite Duras’ “The Malady of Death”. Kent Devereaux composed sound for the project and Lou Mallozzi was the lighting designer. Book wrote and/or arranged found text (except for the Duras excerpt) and composed the vocal melodies. Items included in this collection include: video documentation from the Randolph Street Gallery and Organic Theater performances, as well as 2 studies; 60 color photo slides from the Organic Theater performance, performance text, a film for the performance, audio files played during the performance, press reviews, venue brochures, announcements. Collaborators/Credits: Lynn Book, artist, writer*, co-film director, co-sound designer, set and costume designer Jill Daly, director, co-performer in film Sharon Couzin, filmmaker, co-film director Kent Devereaux, composer, co-sound designer Lou Mallozzi, lighting designer *The performance text was written primarily by Book, but also included excerpts from Marguerite Duras’, “The Malady of Death”, a medieval description of odiferous atmospheres, edited by Piero Camporesi titled, “The Incorruptible Flesh: Bodily Mutation and Mortification in Religion and Folklore”, and a found text on the term corsage. A primary theoretical reference was Trinh T. Minh Haha’s, “Woman, Native, Other”. Additional references of note included critical French Feminists Helene Cixous and Luce Irigaray. Performances: Physical Vision, study, 1989, Club Lower Links, Chicago, benefit for Whitewalls, a magazine of writings by artists published in Chicago (1978-2002) Physical Vision, study, 1989, Memphis Center for Contemporary Art, Memphis Physical Vision, study, 1989, WKNO TV broadcast with interview, Memphis Physical Vision, premier, 1989, Randolph Street Gallery, Chicago Physical Vision, 1990, Organic Theater, Chicago Physical Vision, 1990, Chicago Academy for the Arts, Chicago Physical Vision, 1990, BACA Downtown, Brooklyn, NY Moving Image A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation. Player html for embedded player to stream video content <iframe width="480" height="360" src="//www.youtube.com/embed/1JtrH8V60J4" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe> Imported Thumbnail If a thumbnail images was imported for an embedded video, its id is recorded here and the thumbnail is hidden on pages displaying the embedded video itself. https://i.ytimg.com/vi/1JtrH8V60J4/default.jpg Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Vision, 1990, Chicago, Organic Theater, project video documentation, part 2 Date A point or period of time associated with an event in the lifecycle of the resource 2022-03-15T19:59:36Z Source A related resource from which the described resource is derived http://youtu.be/1JtrH8V60J4 Rights Information about rights held in and over the resource <a href="https://www.youtube.com/static?template=terms">Standard YouTube License</a> Publisher An entity responsible for making the resource available Lynn Book Projects published via YouTube.com https://s3.amazonaws.com/lynnbook/original/cbde5584d48990c589663863fad14886.jpg 4cf9cee980357c9b18139d3f422e0222 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Vision, 1989-91, multimedia performance Description An account of the resource Lynn Book’s original multimedia performance project, Physical Vision, premiered at Randolph Street Gallery, in Chicago, December, 1989 and continued to be performed through 1990 at venues in Chicago and New York. For this solo project, Book was interrogating Woman’s subjectivity within and outside of patriarchal structures, in particular, via language and visual representation. Book’s provocative physicality in conjunction with disruptive writing and voice tactics challenged notions of the 19th C hysteric feminine that initiates the performance as a preset with the performer arranging flowers in a large vase as the audience enters the space. Sketching a disjointed trajectory Book transforms into a complexity of gender plays, ending with a typically masculinized rock and roller contemporary to the time of the performance in the late 1980s. The project marked the first time Book worked with a director - Jill Daly, and was a continuation of her collaboration with experimental filmmaker, Sharon Couzin that began with “Standing In”. Cousin shot and edited a short film, with Book (co-directing the film) and Daly performing that worked with selected text from Marguerite Duras’ “The Malady of Death”. Kent Devereaux composed sound for the project and Lou Mallozzi was the lighting designer. Book wrote and/or arranged found text (except for the Duras excerpt) and composed the vocal melodies. Items included in this collection include: video documentation from the Randolph Street Gallery and Organic Theater performances, as well as 2 studies; 60 color photo slides from the Organic Theater performance, performance text, a film for the performance, audio files played during the performance, press reviews, venue brochures, announcements. Collaborators/Credits: Lynn Book, artist, writer*, co-film director, co-sound designer, set and costume designer Jill Daly, director, co-performer in film Sharon Couzin, filmmaker, co-film director Kent Devereaux, composer, co-sound designer Lou Mallozzi, lighting designer *The performance text was written primarily by Book, but also included excerpts from Marguerite Duras’, “The Malady of Death”, a medieval description of odiferous atmospheres, edited by Piero Camporesi titled, “The Incorruptible Flesh: Bodily Mutation and Mortification in Religion and Folklore”, and a found text on the term corsage. A primary theoretical reference was Trinh T. Minh Haha’s, “Woman, Native, Other”. Additional references of note included critical French Feminists Helene Cixous and Luce Irigaray. Performances: Physical Vision, study, 1989, Club Lower Links, Chicago, benefit for Whitewalls, a magazine of writings by artists published in Chicago (1978-2002) Physical Vision, study, 1989, Memphis Center for Contemporary Art, Memphis Physical Vision, study, 1989, WKNO TV broadcast with interview, Memphis Physical Vision, premier, 1989, Randolph Street Gallery, Chicago Physical Vision, 1990, Organic Theater, Chicago Physical Vision, 1990, Chicago Academy for the Arts, Chicago Physical Vision, 1990, BACA Downtown, Brooklyn, NY Moving Image A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation. Player html for embedded player to stream video content <iframe width="480" height="360" src="//www.youtube.com/embed/G3xdkApV-co" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe> Imported Thumbnail If a thumbnail images was imported for an embedded video, its id is recorded here and the thumbnail is hidden on pages displaying the embedded video itself. https://i.ytimg.com/vi/G3xdkApV-co/default.jpg Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Vision, 1990, Chicago, Organic Theater, project video documentation, part 3 Date A point or period of time associated with an event in the lifecycle of the resource 2022-03-15T20:06:53Z Source A related resource from which the described resource is derived http://youtu.be/G3xdkApV-co Rights Information about rights held in and over the resource <a href="https://www.youtube.com/static?template=terms">Standard YouTube License</a> Publisher An entity responsible for making the resource available Lynn Book Projects published via YouTube.com https://s3.amazonaws.com/lynnbook/original/54446fb1fa1d18a26b90527e1db9f1a2.pdf 48dbf467aa06bea76854da7f1f01cf0b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Vision, 1989-91, multimedia performance Description An account of the resource Lynn Book’s original multimedia performance project, Physical Vision, premiered at Randolph Street Gallery, in Chicago, December, 1989 and continued to be performed through 1990 at venues in Chicago and New York. For this solo project, Book was interrogating Woman’s subjectivity within and outside of patriarchal structures, in particular, via language and visual representation. Book’s provocative physicality in conjunction with disruptive writing and voice tactics challenged notions of the 19th C hysteric feminine that initiates the performance as a preset with the performer arranging flowers in a large vase as the audience enters the space. Sketching a disjointed trajectory Book transforms into a complexity of gender plays, ending with a typically masculinized rock and roller contemporary to the time of the performance in the late 1980s. The project marked the first time Book worked with a director - Jill Daly, and was a continuation of her collaboration with experimental filmmaker, Sharon Couzin that began with “Standing In”. Cousin shot and edited a short film, with Book (co-directing the film) and Daly performing that worked with selected text from Marguerite Duras’ “The Malady of Death”. Kent Devereaux composed sound for the project and Lou Mallozzi was the lighting designer. Book wrote and/or arranged found text (except for the Duras excerpt) and composed the vocal melodies. Items included in this collection include: video documentation from the Randolph Street Gallery and Organic Theater performances, as well as 2 studies; 60 color photo slides from the Organic Theater performance, performance text, a film for the performance, audio files played during the performance, press reviews, venue brochures, announcements. Collaborators/Credits: Lynn Book, artist, writer*, co-film director, co-sound designer, set and costume designer Jill Daly, director, co-performer in film Sharon Couzin, filmmaker, co-film director Kent Devereaux, composer, co-sound designer Lou Mallozzi, lighting designer *The performance text was written primarily by Book, but also included excerpts from Marguerite Duras’, “The Malady of Death”, a medieval description of odiferous atmospheres, edited by Piero Camporesi titled, “The Incorruptible Flesh: Bodily Mutation and Mortification in Religion and Folklore”, and a found text on the term corsage. A primary theoretical reference was Trinh T. Minh Haha’s, “Woman, Native, Other”. Additional references of note included critical French Feminists Helene Cixous and Luce Irigaray. Performances: Physical Vision, study, 1989, Club Lower Links, Chicago, benefit for Whitewalls, a magazine of writings by artists published in Chicago (1978-2002) Physical Vision, study, 1989, Memphis Center for Contemporary Art, Memphis Physical Vision, study, 1989, WKNO TV broadcast with interview, Memphis Physical Vision, premier, 1989, Randolph Street Gallery, Chicago Physical Vision, 1990, Organic Theater, Chicago Physical Vision, 1990, Chicago Academy for the Arts, Chicago Physical Vision, 1990, BACA Downtown, Brooklyn, NY Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Vision, 1989, Chicago, Randolph Street Gallery, multimedia performance, performance text 02 Identifier An unambiguous reference to the resource within a given context PhyVis_1989_Chgo-RSG_multperf_perftext02 Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource image;still image Relation A related resource Physical Vision Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In Copyright - Educational Use Allowed Date A point or period of time associated with an event in the lifecycle of the resource 1989 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- Illinois -- Cook -- Chicago -- Randolph Street Gallery Language A language of the resource eng; https://s3.amazonaws.com/lynnbook/original/94aff299e241af6a7ad7ac3367d20ea4.pdf 448de0763bfdf6aab1bcdcb64e5a5d31 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Vision, 1989-91, multimedia performance Description An account of the resource Lynn Book’s original multimedia performance project, Physical Vision, premiered at Randolph Street Gallery, in Chicago, December, 1989 and continued to be performed through 1990 at venues in Chicago and New York. For this solo project, Book was interrogating Woman’s subjectivity within and outside of patriarchal structures, in particular, via language and visual representation. Book’s provocative physicality in conjunction with disruptive writing and voice tactics challenged notions of the 19th C hysteric feminine that initiates the performance as a preset with the performer arranging flowers in a large vase as the audience enters the space. Sketching a disjointed trajectory Book transforms into a complexity of gender plays, ending with a typically masculinized rock and roller contemporary to the time of the performance in the late 1980s. The project marked the first time Book worked with a director - Jill Daly, and was a continuation of her collaboration with experimental filmmaker, Sharon Couzin that began with “Standing In”. Cousin shot and edited a short film, with Book (co-directing the film) and Daly performing that worked with selected text from Marguerite Duras’ “The Malady of Death”. Kent Devereaux composed sound for the project and Lou Mallozzi was the lighting designer. Book wrote and/or arranged found text (except for the Duras excerpt) and composed the vocal melodies. Items included in this collection include: video documentation from the Randolph Street Gallery and Organic Theater performances, as well as 2 studies; 60 color photo slides from the Organic Theater performance, performance text, a film for the performance, audio files played during the performance, press reviews, venue brochures, announcements. Collaborators/Credits: Lynn Book, artist, writer*, co-film director, co-sound designer, set and costume designer Jill Daly, director, co-performer in film Sharon Couzin, filmmaker, co-film director Kent Devereaux, composer, co-sound designer Lou Mallozzi, lighting designer *The performance text was written primarily by Book, but also included excerpts from Marguerite Duras’, “The Malady of Death”, a medieval description of odiferous atmospheres, edited by Piero Camporesi titled, “The Incorruptible Flesh: Bodily Mutation and Mortification in Religion and Folklore”, and a found text on the term corsage. A primary theoretical reference was Trinh T. Minh Haha’s, “Woman, Native, Other”. Additional references of note included critical French Feminists Helene Cixous and Luce Irigaray. Performances: Physical Vision, study, 1989, Club Lower Links, Chicago, benefit for Whitewalls, a magazine of writings by artists published in Chicago (1978-2002) Physical Vision, study, 1989, Memphis Center for Contemporary Art, Memphis Physical Vision, study, 1989, WKNO TV broadcast with interview, Memphis Physical Vision, premier, 1989, Randolph Street Gallery, Chicago Physical Vision, 1990, Organic Theater, Chicago Physical Vision, 1990, Chicago Academy for the Arts, Chicago Physical Vision, 1990, BACA Downtown, Brooklyn, NY Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Vision, 1990, Chicago, MCCA, multimedia performance, photo series 01 Identifier An unambiguous reference to the resource within a given context PhyVis_1990_Chgo-Organic_mult-perf_photoseries01 Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource image;still image Relation A related resource Physical Vision Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In Copyright - educational use allowed Date A point or period of time associated with an event in the lifecycle of the resource 1990 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- Illinois -- Cook -- Chicago -- Organic Theater Language A language of the resource eng; https://s3.amazonaws.com/lynnbook/original/4bdc9266dcbac1a48ad3c5a5113ac630.pdf 4dfe0947133fd532f7957591485b7721 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Vision, 1989-91, multimedia performance Description An account of the resource Lynn Book’s original multimedia performance project, Physical Vision, premiered at Randolph Street Gallery, in Chicago, December, 1989 and continued to be performed through 1990 at venues in Chicago and New York. For this solo project, Book was interrogating Woman’s subjectivity within and outside of patriarchal structures, in particular, via language and visual representation. Book’s provocative physicality in conjunction with disruptive writing and voice tactics challenged notions of the 19th C hysteric feminine that initiates the performance as a preset with the performer arranging flowers in a large vase as the audience enters the space. Sketching a disjointed trajectory Book transforms into a complexity of gender plays, ending with a typically masculinized rock and roller contemporary to the time of the performance in the late 1980s. The project marked the first time Book worked with a director - Jill Daly, and was a continuation of her collaboration with experimental filmmaker, Sharon Couzin that began with “Standing In”. Cousin shot and edited a short film, with Book (co-directing the film) and Daly performing that worked with selected text from Marguerite Duras’ “The Malady of Death”. Kent Devereaux composed sound for the project and Lou Mallozzi was the lighting designer. Book wrote and/or arranged found text (except for the Duras excerpt) and composed the vocal melodies. Items included in this collection include: video documentation from the Randolph Street Gallery and Organic Theater performances, as well as 2 studies; 60 color photo slides from the Organic Theater performance, performance text, a film for the performance, audio files played during the performance, press reviews, venue brochures, announcements. Collaborators/Credits: Lynn Book, artist, writer*, co-film director, co-sound designer, set and costume designer Jill Daly, director, co-performer in film Sharon Couzin, filmmaker, co-film director Kent Devereaux, composer, co-sound designer Lou Mallozzi, lighting designer *The performance text was written primarily by Book, but also included excerpts from Marguerite Duras’, “The Malady of Death”, a medieval description of odiferous atmospheres, edited by Piero Camporesi titled, “The Incorruptible Flesh: Bodily Mutation and Mortification in Religion and Folklore”, and a found text on the term corsage. A primary theoretical reference was Trinh T. Minh Haha’s, “Woman, Native, Other”. Additional references of note included critical French Feminists Helene Cixous and Luce Irigaray. Performances: Physical Vision, study, 1989, Club Lower Links, Chicago, benefit for Whitewalls, a magazine of writings by artists published in Chicago (1978-2002) Physical Vision, study, 1989, Memphis Center for Contemporary Art, Memphis Physical Vision, study, 1989, WKNO TV broadcast with interview, Memphis Physical Vision, premier, 1989, Randolph Street Gallery, Chicago Physical Vision, 1990, Organic Theater, Chicago Physical Vision, 1990, Chicago Academy for the Arts, Chicago Physical Vision, 1990, BACA Downtown, Brooklyn, NY Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Vision, 1990, Chicago, MCCA, multimedia performance, photo series 02 Identifier An unambiguous reference to the resource within a given context PhyVis_1990_Chgo-Organic_mult-perf_photoseries02 Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource image;still image Relation A related resource Physical Vision Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In Copyright - educational use allowed Date A point or period of time associated with an event in the lifecycle of the resource 1990 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- Illinois -- Cook -- Chicago -- Organic Theater Language A language of the resource eng; https://s3.amazonaws.com/lynnbook/original/88030ca1e00fdff77a53750f33f2bb30.pdf 2fb8cc0fef27b0624fb3cd113ac1b6d9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Vision, 1989-91, multimedia performance Description An account of the resource Lynn Book’s original multimedia performance project, Physical Vision, premiered at Randolph Street Gallery, in Chicago, December, 1989 and continued to be performed through 1990 at venues in Chicago and New York. For this solo project, Book was interrogating Woman’s subjectivity within and outside of patriarchal structures, in particular, via language and visual representation. Book’s provocative physicality in conjunction with disruptive writing and voice tactics challenged notions of the 19th C hysteric feminine that initiates the performance as a preset with the performer arranging flowers in a large vase as the audience enters the space. Sketching a disjointed trajectory Book transforms into a complexity of gender plays, ending with a typically masculinized rock and roller contemporary to the time of the performance in the late 1980s. The project marked the first time Book worked with a director - Jill Daly, and was a continuation of her collaboration with experimental filmmaker, Sharon Couzin that began with “Standing In”. Cousin shot and edited a short film, with Book (co-directing the film) and Daly performing that worked with selected text from Marguerite Duras’ “The Malady of Death”. Kent Devereaux composed sound for the project and Lou Mallozzi was the lighting designer. Book wrote and/or arranged found text (except for the Duras excerpt) and composed the vocal melodies. Items included in this collection include: video documentation from the Randolph Street Gallery and Organic Theater performances, as well as 2 studies; 60 color photo slides from the Organic Theater performance, performance text, a film for the performance, audio files played during the performance, press reviews, venue brochures, announcements. Collaborators/Credits: Lynn Book, artist, writer*, co-film director, co-sound designer, set and costume designer Jill Daly, director, co-performer in film Sharon Couzin, filmmaker, co-film director Kent Devereaux, composer, co-sound designer Lou Mallozzi, lighting designer *The performance text was written primarily by Book, but also included excerpts from Marguerite Duras’, “The Malady of Death”, a medieval description of odiferous atmospheres, edited by Piero Camporesi titled, “The Incorruptible Flesh: Bodily Mutation and Mortification in Religion and Folklore”, and a found text on the term corsage. A primary theoretical reference was Trinh T. Minh Haha’s, “Woman, Native, Other”. Additional references of note included critical French Feminists Helene Cixous and Luce Irigaray. Performances: Physical Vision, study, 1989, Club Lower Links, Chicago, benefit for Whitewalls, a magazine of writings by artists published in Chicago (1978-2002) Physical Vision, study, 1989, Memphis Center for Contemporary Art, Memphis Physical Vision, study, 1989, WKNO TV broadcast with interview, Memphis Physical Vision, premier, 1989, Randolph Street Gallery, Chicago Physical Vision, 1990, Organic Theater, Chicago Physical Vision, 1990, Chicago Academy for the Arts, Chicago Physical Vision, 1990, BACA Downtown, Brooklyn, NY Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Vision, 1990, Chicago, MCCA, multimedia performance, photo series 03 Identifier An unambiguous reference to the resource within a given context PhyVis_1990_Chgo-Organic_mult-perf_photoseries03 Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource image;still image Relation A related resource Physical Vision Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In Copyright - educational use allowed Date A point or period of time associated with an event in the lifecycle of the resource 1990 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- Illinois -- Cook -- Chicago -- Organic Theater Language A language of the resource eng;