2 10 42 https://s3.amazonaws.com/lynnbook/original/e64cda44cff65bd5e9c526927eec44cd.jpg ea1a133b754f5a1792241a795c414cb7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concert Performances, 1991-2013 Description An account of the resource This Concert Performances Project Collection (1991-2009) is composed of several experimental sound and music projects by Lynn Book that feature her voice, and that are often created in collaboration with musicians, composers and improvisers. This distinct braid of Book’s body of work emerged in about 1991-92 when she lived in Chicago, where she participated in and helped foster contemporary arts and adventurous music scenes. Prior to this time she was primarily invested in making experimental multimedia performance projects that included prerecorded and live sound that she designed, co-created or otherwise performed. The concert moniker refers to the format of performance with its focus on vocal, textual and sonic material that could take shape as spoken or more musical material. Book performed her vocal works accompanied by simple electronics processing and looping devices that she used to layer and expand the sonic terrain, and often worked with sound effects. In this Projects Collection are 3 duo performance projects; “notes on desire” with drummer Kevin Norton (also found under Projects), with bassist Tatsu Aoki and with Rich Robeson on flute and guitar. Multi-voice compositions by Book that she conducted and also performed include 2 works for “Vox Risk Holler”, a non-professional, open chorus she founded in New York City in 2003, and also for one of “the dice chronicles” concert events on the occasion of the CD release of “dice 2 (she says)” that she co-produced with Elise Kermain. The famous Dada composition by Kurt Schwitters,”Ursonate”, published in 1932, has been the only work not created by Book, and remains as a kind of repertoire piece. Notably, she is thought to be the first woman to perform it in its entirety. It can also be found in the Projects Collection. All recordings can be found in the Audio Works Collection, while material having to do with the Concert Performances are found here, including video documentation, audio documentation, select text-scores, announcements, reviews and photo documentation. See sub-collections: <a href="https://lynnbook.archive.wfu.edu/collections/show/82">notes on desire, 2003</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/84">CBGB's Concerts, 1999-2000</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/85">Vox Risk Holler, 2003-04</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/86">Book + Aoki, 1992-95</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/83">the dice chronicles, 1993-96</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/87">Book + Robeson, 2009</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/12">Ursonate, 1984-2013</a> Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Book + Aoki, 1995, Chicago, Chicago Filmmakers, concert performance, photo documentation 04 Identifier An unambiguous reference to the resource within a given context BookAoki_1992_Chgo-Hothouse_conperf_photodoc04 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource image;still image Relation A related resource Concert Performances Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In copyright - educational use allowed Date A point or period of time associated with an event in the lifecycle of the resource 1992 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- Illinois -- Cook -- Chicago -- HotHouse Language A language of the resource eng; https://s3.amazonaws.com/lynnbook/original/8e20f10b274ab5d0595068b1df829d6f.jpg a92b6a5bb6e07ab39312697b5d7f992c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concert Performances, 1991-2013 Description An account of the resource This Concert Performances Project Collection (1991-2009) is composed of several experimental sound and music projects by Lynn Book that feature her voice, and that are often created in collaboration with musicians, composers and improvisers. This distinct braid of Book’s body of work emerged in about 1991-92 when she lived in Chicago, where she participated in and helped foster contemporary arts and adventurous music scenes. Prior to this time she was primarily invested in making experimental multimedia performance projects that included prerecorded and live sound that she designed, co-created or otherwise performed. The concert moniker refers to the format of performance with its focus on vocal, textual and sonic material that could take shape as spoken or more musical material. Book performed her vocal works accompanied by simple electronics processing and looping devices that she used to layer and expand the sonic terrain, and often worked with sound effects. In this Projects Collection are 3 duo performance projects; “notes on desire” with drummer Kevin Norton (also found under Projects), with bassist Tatsu Aoki and with Rich Robeson on flute and guitar. Multi-voice compositions by Book that she conducted and also performed include 2 works for “Vox Risk Holler”, a non-professional, open chorus she founded in New York City in 2003, and also for one of “the dice chronicles” concert events on the occasion of the CD release of “dice 2 (she says)” that she co-produced with Elise Kermain. The famous Dada composition by Kurt Schwitters,”Ursonate”, published in 1932, has been the only work not created by Book, and remains as a kind of repertoire piece. Notably, she is thought to be the first woman to perform it in its entirety. It can also be found in the Projects Collection. All recordings can be found in the Audio Works Collection, while material having to do with the Concert Performances are found here, including video documentation, audio documentation, select text-scores, announcements, reviews and photo documentation. See sub-collections: <a href="https://lynnbook.archive.wfu.edu/collections/show/82">notes on desire, 2003</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/84">CBGB's Concerts, 1999-2000</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/85">Vox Risk Holler, 2003-04</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/86">Book + Aoki, 1992-95</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/83">the dice chronicles, 1993-96</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/87">Book + Robeson, 2009</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/12">Ursonate, 1984-2013</a> Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Book + Aoki, 1995, Chicago, Chicago Filmmakers, concert performance, photo documentation 05 Identifier An unambiguous reference to the resource within a given context BookAoki_1992_Chgo-Hothouse_conperf_photodoc05 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource image;still image Relation A related resource Concert Performances Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In copyright - educational use allowed Date A point or period of time associated with an event in the lifecycle of the resource 1992 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- Illinois -- Cook -- Chicago -- HotHouse Language A language of the resource eng; https://s3.amazonaws.com/lynnbook/original/08f619e8a99c1cad64c570fb6ca2483d.jpg 409a4c05a5ce117d1f615ef255fb0ee4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concert Performances, 1991-2013 Description An account of the resource This Concert Performances Project Collection (1991-2009) is composed of several experimental sound and music projects by Lynn Book that feature her voice, and that are often created in collaboration with musicians, composers and improvisers. This distinct braid of Book’s body of work emerged in about 1991-92 when she lived in Chicago, where she participated in and helped foster contemporary arts and adventurous music scenes. Prior to this time she was primarily invested in making experimental multimedia performance projects that included prerecorded and live sound that she designed, co-created or otherwise performed. The concert moniker refers to the format of performance with its focus on vocal, textual and sonic material that could take shape as spoken or more musical material. Book performed her vocal works accompanied by simple electronics processing and looping devices that she used to layer and expand the sonic terrain, and often worked with sound effects. In this Projects Collection are 3 duo performance projects; “notes on desire” with drummer Kevin Norton (also found under Projects), with bassist Tatsu Aoki and with Rich Robeson on flute and guitar. Multi-voice compositions by Book that she conducted and also performed include 2 works for “Vox Risk Holler”, a non-professional, open chorus she founded in New York City in 2003, and also for one of “the dice chronicles” concert events on the occasion of the CD release of “dice 2 (she says)” that she co-produced with Elise Kermain. The famous Dada composition by Kurt Schwitters,”Ursonate”, published in 1932, has been the only work not created by Book, and remains as a kind of repertoire piece. Notably, she is thought to be the first woman to perform it in its entirety. It can also be found in the Projects Collection. All recordings can be found in the Audio Works Collection, while material having to do with the Concert Performances are found here, including video documentation, audio documentation, select text-scores, announcements, reviews and photo documentation. See sub-collections: <a href="https://lynnbook.archive.wfu.edu/collections/show/82">notes on desire, 2003</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/84">CBGB's Concerts, 1999-2000</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/85">Vox Risk Holler, 2003-04</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/86">Book + Aoki, 1992-95</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/83">the dice chronicles, 1993-96</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/87">Book + Robeson, 2009</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/12">Ursonate, 1984-2013</a> Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Book + Aoki, 1992, Chicago Hothouse, concert performance, Village Voice, preview Identifier An unambiguous reference to the resource within a given context BookAoki_1992_Chgo-Hothouse_conperf_VillageVoice_preview Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource image;still image Relation A related resource Concert Performances Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In copyright - educational use allowed Date A point or period of time associated with an event in the lifecycle of the resource 1992 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- Illinois -- Cook -- Chicago -- HotHouse Language A language of the resource eng; https://s3.amazonaws.com/lynnbook/original/3465129c95535c8f906d0d6365b318ef.jpg c501a7f1f18b9b9ae00d849b9c82b65e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concert Performances, 1991-2013 Description An account of the resource This Concert Performances Project Collection (1991-2009) is composed of several experimental sound and music projects by Lynn Book that feature her voice, and that are often created in collaboration with musicians, composers and improvisers. This distinct braid of Book’s body of work emerged in about 1991-92 when she lived in Chicago, where she participated in and helped foster contemporary arts and adventurous music scenes. Prior to this time she was primarily invested in making experimental multimedia performance projects that included prerecorded and live sound that she designed, co-created or otherwise performed. The concert moniker refers to the format of performance with its focus on vocal, textual and sonic material that could take shape as spoken or more musical material. Book performed her vocal works accompanied by simple electronics processing and looping devices that she used to layer and expand the sonic terrain, and often worked with sound effects. In this Projects Collection are 3 duo performance projects; “notes on desire” with drummer Kevin Norton (also found under Projects), with bassist Tatsu Aoki and with Rich Robeson on flute and guitar. Multi-voice compositions by Book that she conducted and also performed include 2 works for “Vox Risk Holler”, a non-professional, open chorus she founded in New York City in 2003, and also for one of “the dice chronicles” concert events on the occasion of the CD release of “dice 2 (she says)” that she co-produced with Elise Kermain. The famous Dada composition by Kurt Schwitters,”Ursonate”, published in 1932, has been the only work not created by Book, and remains as a kind of repertoire piece. Notably, she is thought to be the first woman to perform it in its entirety. It can also be found in the Projects Collection. All recordings can be found in the Audio Works Collection, while material having to do with the Concert Performances are found here, including video documentation, audio documentation, select text-scores, announcements, reviews and photo documentation. See sub-collections: <a href="https://lynnbook.archive.wfu.edu/collections/show/82">notes on desire, 2003</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/84">CBGB's Concerts, 1999-2000</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/85">Vox Risk Holler, 2003-04</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/86">Book + Aoki, 1992-95</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/83">the dice chronicles, 1993-96</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/87">Book + Robeson, 2009</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/12">Ursonate, 1984-2013</a> Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Book + Aoki, 1992, Chicago Hothouse, concert performance, Chicago Tribune, review Identifier An unambiguous reference to the resource within a given context BookAoki_1992_Chgo-Hothouse_conperf_ChicagoTribune_review Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource image;still image Relation A related resource Concert Performances Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In copyright - educational use allowed Date A point or period of time associated with an event in the lifecycle of the resource 1992 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- Illinois -- Cook -- Chicago -- HotHouse Language A language of the resource eng; https://s3.amazonaws.com/lynnbook/original/ec56e18802037ca8f920bae7f409eeef.jpg 0005b09d9799b01b98b0058cd6978aba Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concert Performances, 1991-2013 Description An account of the resource This Concert Performances Project Collection (1991-2009) is composed of several experimental sound and music projects by Lynn Book that feature her voice, and that are often created in collaboration with musicians, composers and improvisers. This distinct braid of Book’s body of work emerged in about 1991-92 when she lived in Chicago, where she participated in and helped foster contemporary arts and adventurous music scenes. Prior to this time she was primarily invested in making experimental multimedia performance projects that included prerecorded and live sound that she designed, co-created or otherwise performed. The concert moniker refers to the format of performance with its focus on vocal, textual and sonic material that could take shape as spoken or more musical material. Book performed her vocal works accompanied by simple electronics processing and looping devices that she used to layer and expand the sonic terrain, and often worked with sound effects. In this Projects Collection are 3 duo performance projects; “notes on desire” with drummer Kevin Norton (also found under Projects), with bassist Tatsu Aoki and with Rich Robeson on flute and guitar. Multi-voice compositions by Book that she conducted and also performed include 2 works for “Vox Risk Holler”, a non-professional, open chorus she founded in New York City in 2003, and also for one of “the dice chronicles” concert events on the occasion of the CD release of “dice 2 (she says)” that she co-produced with Elise Kermain. The famous Dada composition by Kurt Schwitters,”Ursonate”, published in 1932, has been the only work not created by Book, and remains as a kind of repertoire piece. Notably, she is thought to be the first woman to perform it in its entirety. It can also be found in the Projects Collection. All recordings can be found in the Audio Works Collection, while material having to do with the Concert Performances are found here, including video documentation, audio documentation, select text-scores, announcements, reviews and photo documentation. See sub-collections: <a href="https://lynnbook.archive.wfu.edu/collections/show/82">notes on desire, 2003</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/84">CBGB's Concerts, 1999-2000</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/85">Vox Risk Holler, 2003-04</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/86">Book + Aoki, 1992-95</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/83">the dice chronicles, 1993-96</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/87">Book + Robeson, 2009</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/12">Ursonate, 1984-2013</a> Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Book + Aoki, 1992, Chicago Hothouse, concert performance, Chicago Reader, review Identifier An unambiguous reference to the resource within a given context BookAoki_1992_Chgo-Hothouse_conperf_Reader_review Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource image;still image Relation A related resource Concert Performances Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In copyright - educational use allowed Date A point or period of time associated with an event in the lifecycle of the resource 1992 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- Illinois -- Cook -- Chicago -- HotHouse Language A language of the resource eng; https://s3.amazonaws.com/lynnbook/original/276fd633e4b565959f4f3946de1d126c.jpg efc418167384eb9ac31341d865442b47 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concert Performances, 1991-2013 Description An account of the resource This Concert Performances Project Collection (1991-2009) is composed of several experimental sound and music projects by Lynn Book that feature her voice, and that are often created in collaboration with musicians, composers and improvisers. This distinct braid of Book’s body of work emerged in about 1991-92 when she lived in Chicago, where she participated in and helped foster contemporary arts and adventurous music scenes. Prior to this time she was primarily invested in making experimental multimedia performance projects that included prerecorded and live sound that she designed, co-created or otherwise performed. The concert moniker refers to the format of performance with its focus on vocal, textual and sonic material that could take shape as spoken or more musical material. Book performed her vocal works accompanied by simple electronics processing and looping devices that she used to layer and expand the sonic terrain, and often worked with sound effects. In this Projects Collection are 3 duo performance projects; “notes on desire” with drummer Kevin Norton (also found under Projects), with bassist Tatsu Aoki and with Rich Robeson on flute and guitar. Multi-voice compositions by Book that she conducted and also performed include 2 works for “Vox Risk Holler”, a non-professional, open chorus she founded in New York City in 2003, and also for one of “the dice chronicles” concert events on the occasion of the CD release of “dice 2 (she says)” that she co-produced with Elise Kermain. The famous Dada composition by Kurt Schwitters,”Ursonate”, published in 1932, has been the only work not created by Book, and remains as a kind of repertoire piece. Notably, she is thought to be the first woman to perform it in its entirety. It can also be found in the Projects Collection. All recordings can be found in the Audio Works Collection, while material having to do with the Concert Performances are found here, including video documentation, audio documentation, select text-scores, announcements, reviews and photo documentation. See sub-collections: <a href="https://lynnbook.archive.wfu.edu/collections/show/82">notes on desire, 2003</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/84">CBGB's Concerts, 1999-2000</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/85">Vox Risk Holler, 2003-04</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/86">Book + Aoki, 1992-95</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/83">the dice chronicles, 1993-96</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/87">Book + Robeson, 2009</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/12">Ursonate, 1984-2013</a> Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Book + Aoki, 1992, Chicago Hothouse, concert performance, Chicago Reader, critic's choice 01 Identifier An unambiguous reference to the resource within a given context BookAoki_1992_Chgo-Hothouse_conperf_CriticsChoice Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource image;still image Relation A related resource Concert Performances Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In copyright - educational use allowed Date A point or period of time associated with an event in the lifecycle of the resource 1992 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- Illinois -- Cook -- Chicago -- HotHouse Language A language of the resource eng; https://s3.amazonaws.com/lynnbook/original/aabcf7f08fb508924a88ccf3af6f6908.jpg 756daef2b7d594c797ecfbe2a0aacd07 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concert Performances, 1991-2013 Description An account of the resource This Concert Performances Project Collection (1991-2009) is composed of several experimental sound and music projects by Lynn Book that feature her voice, and that are often created in collaboration with musicians, composers and improvisers. This distinct braid of Book’s body of work emerged in about 1991-92 when she lived in Chicago, where she participated in and helped foster contemporary arts and adventurous music scenes. Prior to this time she was primarily invested in making experimental multimedia performance projects that included prerecorded and live sound that she designed, co-created or otherwise performed. The concert moniker refers to the format of performance with its focus on vocal, textual and sonic material that could take shape as spoken or more musical material. Book performed her vocal works accompanied by simple electronics processing and looping devices that she used to layer and expand the sonic terrain, and often worked with sound effects. In this Projects Collection are 3 duo performance projects; “notes on desire” with drummer Kevin Norton (also found under Projects), with bassist Tatsu Aoki and with Rich Robeson on flute and guitar. Multi-voice compositions by Book that she conducted and also performed include 2 works for “Vox Risk Holler”, a non-professional, open chorus she founded in New York City in 2003, and also for one of “the dice chronicles” concert events on the occasion of the CD release of “dice 2 (she says)” that she co-produced with Elise Kermain. The famous Dada composition by Kurt Schwitters,”Ursonate”, published in 1932, has been the only work not created by Book, and remains as a kind of repertoire piece. Notably, she is thought to be the first woman to perform it in its entirety. It can also be found in the Projects Collection. All recordings can be found in the Audio Works Collection, while material having to do with the Concert Performances are found here, including video documentation, audio documentation, select text-scores, announcements, reviews and photo documentation. See sub-collections: <a href="https://lynnbook.archive.wfu.edu/collections/show/82">notes on desire, 2003</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/84">CBGB's Concerts, 1999-2000</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/85">Vox Risk Holler, 2003-04</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/86">Book + Aoki, 1992-95</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/83">the dice chronicles, 1993-96</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/87">Book + Robeson, 2009</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/12">Ursonate, 1984-2013</a> Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Book + Aoki, 1992, Chicago Hothouse, concert performance, Chicago Reader, critic's choice 02 Identifier An unambiguous reference to the resource within a given context Book.Aoki_1995_Chgo-ChgoFilm_conperf_critichoice_ChgoReader Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource image;still image Relation A related resource Concert Performances Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In copyright - educational use allowed Date A point or period of time associated with an event in the lifecycle of the resource 1992 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- Illinois -- Cook -- Chicago -- HotHouse Language A language of the resource eng; https://s3.amazonaws.com/lynnbook/original/771c590c0d2d31c5113d7e609307020a.jpg f529807a9a18adbaa6a3a1811e8a6fc3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concert Performances, 1991-2013 Description An account of the resource This Concert Performances Project Collection (1991-2009) is composed of several experimental sound and music projects by Lynn Book that feature her voice, and that are often created in collaboration with musicians, composers and improvisers. This distinct braid of Book’s body of work emerged in about 1991-92 when she lived in Chicago, where she participated in and helped foster contemporary arts and adventurous music scenes. Prior to this time she was primarily invested in making experimental multimedia performance projects that included prerecorded and live sound that she designed, co-created or otherwise performed. The concert moniker refers to the format of performance with its focus on vocal, textual and sonic material that could take shape as spoken or more musical material. Book performed her vocal works accompanied by simple electronics processing and looping devices that she used to layer and expand the sonic terrain, and often worked with sound effects. In this Projects Collection are 3 duo performance projects; “notes on desire” with drummer Kevin Norton (also found under Projects), with bassist Tatsu Aoki and with Rich Robeson on flute and guitar. Multi-voice compositions by Book that she conducted and also performed include 2 works for “Vox Risk Holler”, a non-professional, open chorus she founded in New York City in 2003, and also for one of “the dice chronicles” concert events on the occasion of the CD release of “dice 2 (she says)” that she co-produced with Elise Kermain. The famous Dada composition by Kurt Schwitters,”Ursonate”, published in 1932, has been the only work not created by Book, and remains as a kind of repertoire piece. Notably, she is thought to be the first woman to perform it in its entirety. It can also be found in the Projects Collection. All recordings can be found in the Audio Works Collection, while material having to do with the Concert Performances are found here, including video documentation, audio documentation, select text-scores, announcements, reviews and photo documentation. See sub-collections: <a href="https://lynnbook.archive.wfu.edu/collections/show/82">notes on desire, 2003</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/84">CBGB's Concerts, 1999-2000</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/85">Vox Risk Holler, 2003-04</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/86">Book + Aoki, 1992-95</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/83">the dice chronicles, 1993-96</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/87">Book + Robeson, 2009</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/12">Ursonate, 1984-2013</a> Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Book + Aoki, 1992, Chicago Hothouse, concert performance, press release Identifier An unambiguous reference to the resource within a given context BookAoki_1992_Chgo-Hothouse_conperf_pressrelease Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource image;still image Relation A related resource Concert Performances Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In copyright - educational use allowed Date A point or period of time associated with an event in the lifecycle of the resource 1992 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- Illinois -- Cook -- Chicago -- HotHouse Language A language of the resource eng; https://s3.amazonaws.com/lynnbook/original/af9f42cc29d3a3f626b3a35c85cf0405.jpg 70812799c1d7fb0b2eb0bd61081f9355 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concert Performances, 1991-2013 Description An account of the resource This Concert Performances Project Collection (1991-2009) is composed of several experimental sound and music projects by Lynn Book that feature her voice, and that are often created in collaboration with musicians, composers and improvisers. This distinct braid of Book’s body of work emerged in about 1991-92 when she lived in Chicago, where she participated in and helped foster contemporary arts and adventurous music scenes. Prior to this time she was primarily invested in making experimental multimedia performance projects that included prerecorded and live sound that she designed, co-created or otherwise performed. The concert moniker refers to the format of performance with its focus on vocal, textual and sonic material that could take shape as spoken or more musical material. Book performed her vocal works accompanied by simple electronics processing and looping devices that she used to layer and expand the sonic terrain, and often worked with sound effects. In this Projects Collection are 3 duo performance projects; “notes on desire” with drummer Kevin Norton (also found under Projects), with bassist Tatsu Aoki and with Rich Robeson on flute and guitar. Multi-voice compositions by Book that she conducted and also performed include 2 works for “Vox Risk Holler”, a non-professional, open chorus she founded in New York City in 2003, and also for one of “the dice chronicles” concert events on the occasion of the CD release of “dice 2 (she says)” that she co-produced with Elise Kermain. The famous Dada composition by Kurt Schwitters,”Ursonate”, published in 1932, has been the only work not created by Book, and remains as a kind of repertoire piece. Notably, she is thought to be the first woman to perform it in its entirety. It can also be found in the Projects Collection. All recordings can be found in the Audio Works Collection, while material having to do with the Concert Performances are found here, including video documentation, audio documentation, select text-scores, announcements, reviews and photo documentation. See sub-collections: <a href="https://lynnbook.archive.wfu.edu/collections/show/82">notes on desire, 2003</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/84">CBGB's Concerts, 1999-2000</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/85">Vox Risk Holler, 2003-04</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/86">Book + Aoki, 1992-95</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/83">the dice chronicles, 1993-96</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/87">Book + Robeson, 2009</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/12">Ursonate, 1984-2013</a> Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Book + Aoki, 1992, Chicago Hothouse, concert performance, flyer Identifier An unambiguous reference to the resource within a given context BookAoki_1992_Chgo-Hothouse_conperf_flyer Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource image;still image Relation A related resource Concert Performances Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In copyright - educational use allowed Date A point or period of time associated with an event in the lifecycle of the resource 1992 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- Illinois -- Cook -- Chicago -- HotHouse Language A language of the resource eng; https://s3.amazonaws.com/lynnbook/original/c52c3e21919fb2d58714c3e617d38bc5.jpg 2005c1148f7964ab0cd5447acfc97d82 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concert Performances, 1991-2013 Description An account of the resource This Concert Performances Project Collection (1991-2009) is composed of several experimental sound and music projects by Lynn Book that feature her voice, and that are often created in collaboration with musicians, composers and improvisers. This distinct braid of Book’s body of work emerged in about 1991-92 when she lived in Chicago, where she participated in and helped foster contemporary arts and adventurous music scenes. Prior to this time she was primarily invested in making experimental multimedia performance projects that included prerecorded and live sound that she designed, co-created or otherwise performed. The concert moniker refers to the format of performance with its focus on vocal, textual and sonic material that could take shape as spoken or more musical material. Book performed her vocal works accompanied by simple electronics processing and looping devices that she used to layer and expand the sonic terrain, and often worked with sound effects. In this Projects Collection are 3 duo performance projects; “notes on desire” with drummer Kevin Norton (also found under Projects), with bassist Tatsu Aoki and with Rich Robeson on flute and guitar. Multi-voice compositions by Book that she conducted and also performed include 2 works for “Vox Risk Holler”, a non-professional, open chorus she founded in New York City in 2003, and also for one of “the dice chronicles” concert events on the occasion of the CD release of “dice 2 (she says)” that she co-produced with Elise Kermain. The famous Dada composition by Kurt Schwitters,”Ursonate”, published in 1932, has been the only work not created by Book, and remains as a kind of repertoire piece. Notably, she is thought to be the first woman to perform it in its entirety. It can also be found in the Projects Collection. All recordings can be found in the Audio Works Collection, while material having to do with the Concert Performances are found here, including video documentation, audio documentation, select text-scores, announcements, reviews and photo documentation. See sub-collections: <a href="https://lynnbook.archive.wfu.edu/collections/show/82">notes on desire, 2003</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/84">CBGB's Concerts, 1999-2000</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/85">Vox Risk Holler, 2003-04</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/86">Book + Aoki, 1992-95</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/83">the dice chronicles, 1993-96</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/87">Book + Robeson, 2009</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/12">Ursonate, 1984-2013</a> Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Book + Aoki, 1992, Chicago Hothouse, concert performance, announcement Identifier An unambiguous reference to the resource within a given context BookAoki_1992_Chgo-Hothouse_conperf_announcement Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource image;still image Relation A related resource Concert Performances Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In copyright - educational use allowed Date A point or period of time associated with an event in the lifecycle of the resource 1992 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- Illinois -- Cook -- Chicago -- HotHouse Language A language of the resource eng;