4 10 42 https://s3.amazonaws.com/lynnbook/original/2596651e51d2267b455bcdf725a4b418.mp3 37f20836b3f8e0700d2ddd0a992464e4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concert Performances, 1991-2013 Description An account of the resource This Concert Performances Project Collection (1991-2009) is composed of several experimental sound and music projects by Lynn Book that feature her voice, and that are often created in collaboration with musicians, composers and improvisers. This distinct braid of Book’s body of work emerged in about 1991-92 when she lived in Chicago, where she participated in and helped foster contemporary arts and adventurous music scenes. Prior to this time she was primarily invested in making experimental multimedia performance projects that included prerecorded and live sound that she designed, co-created or otherwise performed. The concert moniker refers to the format of performance with its focus on vocal, textual and sonic material that could take shape as spoken or more musical material. Book performed her vocal works accompanied by simple electronics processing and looping devices that she used to layer and expand the sonic terrain, and often worked with sound effects. In this Projects Collection are 3 duo performance projects; “notes on desire” with drummer Kevin Norton (also found under Projects), with bassist Tatsu Aoki and with Rich Robeson on flute and guitar. Multi-voice compositions by Book that she conducted and also performed include 2 works for “Vox Risk Holler”, a non-professional, open chorus she founded in New York City in 2003, and also for one of “the dice chronicles” concert events on the occasion of the CD release of “dice 2 (she says)” that she co-produced with Elise Kermain. The famous Dada composition by Kurt Schwitters,”Ursonate”, published in 1932, has been the only work not created by Book, and remains as a kind of repertoire piece. Notably, she is thought to be the first woman to perform it in its entirety. It can also be found in the Projects Collection. All recordings can be found in the Audio Works Collection, while material having to do with the Concert Performances are found here, including video documentation, audio documentation, select text-scores, announcements, reviews and photo documentation. See sub-collections: <a href="https://lynnbook.archive.wfu.edu/collections/show/82">notes on desire, 2003</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/84">CBGB's Concerts, 1999-2000</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/85">Vox Risk Holler, 2003-04</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/86">Book + Aoki, 1992-95</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/83">the dice chronicles, 1993-96</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/87">Book + Robeson, 2009</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/12">Ursonate, 1984-2013</a> Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Book + Robeson, 2009, Winston-Salem, Beta Verde, track 01a, Tonal Identifier An unambiguous reference to the resource within a given context Book-Robeson_2009_WS-BetaVerde_1a.Tonal Format The file format, physical medium, or dimensions of the resource audio/mp6 Type The nature or genre of the resource sound Relation A related resource Concert Performances Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In copyright - educational use allowed Date A point or period of time associated with an event in the lifecycle of the resource 2009 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- North Carolina -- Forsyth -- Winston-Salem -- Beta Verde Language A language of the resource eng; https://s3.amazonaws.com/lynnbook/original/d9e17d9be36af58136d0900e36f348f2.mp3 1dfa784175e5b73a09346f6041d1200c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concert Performances, 1991-2013 Description An account of the resource This Concert Performances Project Collection (1991-2009) is composed of several experimental sound and music projects by Lynn Book that feature her voice, and that are often created in collaboration with musicians, composers and improvisers. This distinct braid of Book’s body of work emerged in about 1991-92 when she lived in Chicago, where she participated in and helped foster contemporary arts and adventurous music scenes. Prior to this time she was primarily invested in making experimental multimedia performance projects that included prerecorded and live sound that she designed, co-created or otherwise performed. The concert moniker refers to the format of performance with its focus on vocal, textual and sonic material that could take shape as spoken or more musical material. Book performed her vocal works accompanied by simple electronics processing and looping devices that she used to layer and expand the sonic terrain, and often worked with sound effects. In this Projects Collection are 3 duo performance projects; “notes on desire” with drummer Kevin Norton (also found under Projects), with bassist Tatsu Aoki and with Rich Robeson on flute and guitar. Multi-voice compositions by Book that she conducted and also performed include 2 works for “Vox Risk Holler”, a non-professional, open chorus she founded in New York City in 2003, and also for one of “the dice chronicles” concert events on the occasion of the CD release of “dice 2 (she says)” that she co-produced with Elise Kermain. The famous Dada composition by Kurt Schwitters,”Ursonate”, published in 1932, has been the only work not created by Book, and remains as a kind of repertoire piece. Notably, she is thought to be the first woman to perform it in its entirety. It can also be found in the Projects Collection. All recordings can be found in the Audio Works Collection, while material having to do with the Concert Performances are found here, including video documentation, audio documentation, select text-scores, announcements, reviews and photo documentation. See sub-collections: <a href="https://lynnbook.archive.wfu.edu/collections/show/82">notes on desire, 2003</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/84">CBGB's Concerts, 1999-2000</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/85">Vox Risk Holler, 2003-04</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/86">Book + Aoki, 1992-95</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/83">the dice chronicles, 1993-96</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/87">Book + Robeson, 2009</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/12">Ursonate, 1984-2013</a> Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Book + Robeson, 2009, Winston-Salem, Beta Verde, track 02, Dear Letter Identifier An unambiguous reference to the resource within a given context Book-Robeson_2009_WS-BetaVerde_2.DearLetter Format The file format, physical medium, or dimensions of the resource audio/mp7 Type The nature or genre of the resource sound Relation A related resource Concert Performances Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In copyright - educational use allowed Date A point or period of time associated with an event in the lifecycle of the resource 2009 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- North Carolina -- Forsyth -- Winston-Salem -- Beta Verde Language A language of the resource eng; https://s3.amazonaws.com/lynnbook/original/d9f297cc90d9ca52cb2650a0a3201d41.mp3 dc5063ed9510a8b6abb243d4bc985ed8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concert Performances, 1991-2013 Description An account of the resource This Concert Performances Project Collection (1991-2009) is composed of several experimental sound and music projects by Lynn Book that feature her voice, and that are often created in collaboration with musicians, composers and improvisers. This distinct braid of Book’s body of work emerged in about 1991-92 when she lived in Chicago, where she participated in and helped foster contemporary arts and adventurous music scenes. Prior to this time she was primarily invested in making experimental multimedia performance projects that included prerecorded and live sound that she designed, co-created or otherwise performed. The concert moniker refers to the format of performance with its focus on vocal, textual and sonic material that could take shape as spoken or more musical material. Book performed her vocal works accompanied by simple electronics processing and looping devices that she used to layer and expand the sonic terrain, and often worked with sound effects. In this Projects Collection are 3 duo performance projects; “notes on desire” with drummer Kevin Norton (also found under Projects), with bassist Tatsu Aoki and with Rich Robeson on flute and guitar. Multi-voice compositions by Book that she conducted and also performed include 2 works for “Vox Risk Holler”, a non-professional, open chorus she founded in New York City in 2003, and also for one of “the dice chronicles” concert events on the occasion of the CD release of “dice 2 (she says)” that she co-produced with Elise Kermain. The famous Dada composition by Kurt Schwitters,”Ursonate”, published in 1932, has been the only work not created by Book, and remains as a kind of repertoire piece. Notably, she is thought to be the first woman to perform it in its entirety. It can also be found in the Projects Collection. All recordings can be found in the Audio Works Collection, while material having to do with the Concert Performances are found here, including video documentation, audio documentation, select text-scores, announcements, reviews and photo documentation. See sub-collections: <a href="https://lynnbook.archive.wfu.edu/collections/show/82">notes on desire, 2003</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/84">CBGB's Concerts, 1999-2000</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/85">Vox Risk Holler, 2003-04</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/86">Book + Aoki, 1992-95</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/83">the dice chronicles, 1993-96</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/87">Book + Robeson, 2009</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/12">Ursonate, 1984-2013</a> Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Book + Robeson, 2009, Winston-Salem, Beta Verde, track 03, Way It Goes Identifier An unambiguous reference to the resource within a given context Book-Robeson_2009_WS-BetaVerde_3.WayItGoes Format The file format, physical medium, or dimensions of the resource audio/mp8 Type The nature or genre of the resource sound Relation A related resource Concert Performances Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In copyright - educational use allowed Date A point or period of time associated with an event in the lifecycle of the resource 2009 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- North Carolina -- Forsyth -- Winston-Salem -- Beta Verde Language A language of the resource eng; https://s3.amazonaws.com/lynnbook/original/370dd0f8aadf02c90dd966221bab84e8.mp3 fb5b0e08eec5b247cc61b3ae3fefc31f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concert Performances, 1991-2013 Description An account of the resource This Concert Performances Project Collection (1991-2009) is composed of several experimental sound and music projects by Lynn Book that feature her voice, and that are often created in collaboration with musicians, composers and improvisers. This distinct braid of Book’s body of work emerged in about 1991-92 when she lived in Chicago, where she participated in and helped foster contemporary arts and adventurous music scenes. Prior to this time she was primarily invested in making experimental multimedia performance projects that included prerecorded and live sound that she designed, co-created or otherwise performed. The concert moniker refers to the format of performance with its focus on vocal, textual and sonic material that could take shape as spoken or more musical material. Book performed her vocal works accompanied by simple electronics processing and looping devices that she used to layer and expand the sonic terrain, and often worked with sound effects. In this Projects Collection are 3 duo performance projects; “notes on desire” with drummer Kevin Norton (also found under Projects), with bassist Tatsu Aoki and with Rich Robeson on flute and guitar. Multi-voice compositions by Book that she conducted and also performed include 2 works for “Vox Risk Holler”, a non-professional, open chorus she founded in New York City in 2003, and also for one of “the dice chronicles” concert events on the occasion of the CD release of “dice 2 (she says)” that she co-produced with Elise Kermain. The famous Dada composition by Kurt Schwitters,”Ursonate”, published in 1932, has been the only work not created by Book, and remains as a kind of repertoire piece. Notably, she is thought to be the first woman to perform it in its entirety. It can also be found in the Projects Collection. All recordings can be found in the Audio Works Collection, while material having to do with the Concert Performances are found here, including video documentation, audio documentation, select text-scores, announcements, reviews and photo documentation. See sub-collections: <a href="https://lynnbook.archive.wfu.edu/collections/show/82">notes on desire, 2003</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/84">CBGB's Concerts, 1999-2000</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/85">Vox Risk Holler, 2003-04</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/86">Book + Aoki, 1992-95</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/83">the dice chronicles, 1993-96</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/87">Book + Robeson, 2009</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/12">Ursonate, 1984-2013</a> Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Book + Robeson, 2009, Winston-Salem, Beta Verde, track 5, 2 Wanderers Identifier An unambiguous reference to the resource within a given context Book-Robeson_2009_WS-BetaVerde_5.2Wanderers Format The file format, physical medium, or dimensions of the resource audio/mp9 Type The nature or genre of the resource sound Relation A related resource Concert Performances Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In copyright - educational use allowed Date A point or period of time associated with an event in the lifecycle of the resource 2009 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- North Carolina -- Forsyth -- Winston-Salem -- Beta Verde Language A language of the resource eng; https://s3.amazonaws.com/lynnbook/original/df1bc0bf1815ffa95af8c46b43b33819.mp3 c94f3b59a2dd81736b56102ee3ca3163 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concert Performances, 1991-2013 Description An account of the resource This Concert Performances Project Collection (1991-2009) is composed of several experimental sound and music projects by Lynn Book that feature her voice, and that are often created in collaboration with musicians, composers and improvisers. This distinct braid of Book’s body of work emerged in about 1991-92 when she lived in Chicago, where she participated in and helped foster contemporary arts and adventurous music scenes. Prior to this time she was primarily invested in making experimental multimedia performance projects that included prerecorded and live sound that she designed, co-created or otherwise performed. The concert moniker refers to the format of performance with its focus on vocal, textual and sonic material that could take shape as spoken or more musical material. Book performed her vocal works accompanied by simple electronics processing and looping devices that she used to layer and expand the sonic terrain, and often worked with sound effects. In this Projects Collection are 3 duo performance projects; “notes on desire” with drummer Kevin Norton (also found under Projects), with bassist Tatsu Aoki and with Rich Robeson on flute and guitar. Multi-voice compositions by Book that she conducted and also performed include 2 works for “Vox Risk Holler”, a non-professional, open chorus she founded in New York City in 2003, and also for one of “the dice chronicles” concert events on the occasion of the CD release of “dice 2 (she says)” that she co-produced with Elise Kermain. The famous Dada composition by Kurt Schwitters,”Ursonate”, published in 1932, has been the only work not created by Book, and remains as a kind of repertoire piece. Notably, she is thought to be the first woman to perform it in its entirety. It can also be found in the Projects Collection. All recordings can be found in the Audio Works Collection, while material having to do with the Concert Performances are found here, including video documentation, audio documentation, select text-scores, announcements, reviews and photo documentation. See sub-collections: <a href="https://lynnbook.archive.wfu.edu/collections/show/82">notes on desire, 2003</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/84">CBGB's Concerts, 1999-2000</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/85">Vox Risk Holler, 2003-04</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/86">Book + Aoki, 1992-95</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/83">the dice chronicles, 1993-96</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/87">Book + Robeson, 2009</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/12">Ursonate, 1984-2013</a> Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Book + Robeson, 2009, Winston-Salem, Beta Verde, track 07, Mosey Identifier An unambiguous reference to the resource within a given context Book-Robeson_2009_WS-BetaVerde_7.Mosey Format The file format, physical medium, or dimensions of the resource audio/mp10 Type The nature or genre of the resource sound Relation A related resource Concert Performances Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In copyright - educational use allowed Date A point or period of time associated with an event in the lifecycle of the resource 2009 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- North Carolina -- Forsyth -- Winston-Salem -- Beta Verde Language A language of the resource eng; https://s3.amazonaws.com/lynnbook/original/4fdac445463d9f7f01481d25976da48f.mp3 b0b56e25d90968e8e6688c2fe9198ad2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concert Performances, 1991-2013 Description An account of the resource This Concert Performances Project Collection (1991-2009) is composed of several experimental sound and music projects by Lynn Book that feature her voice, and that are often created in collaboration with musicians, composers and improvisers. This distinct braid of Book’s body of work emerged in about 1991-92 when she lived in Chicago, where she participated in and helped foster contemporary arts and adventurous music scenes. Prior to this time she was primarily invested in making experimental multimedia performance projects that included prerecorded and live sound that she designed, co-created or otherwise performed. The concert moniker refers to the format of performance with its focus on vocal, textual and sonic material that could take shape as spoken or more musical material. Book performed her vocal works accompanied by simple electronics processing and looping devices that she used to layer and expand the sonic terrain, and often worked with sound effects. In this Projects Collection are 3 duo performance projects; “notes on desire” with drummer Kevin Norton (also found under Projects), with bassist Tatsu Aoki and with Rich Robeson on flute and guitar. Multi-voice compositions by Book that she conducted and also performed include 2 works for “Vox Risk Holler”, a non-professional, open chorus she founded in New York City in 2003, and also for one of “the dice chronicles” concert events on the occasion of the CD release of “dice 2 (she says)” that she co-produced with Elise Kermain. The famous Dada composition by Kurt Schwitters,”Ursonate”, published in 1932, has been the only work not created by Book, and remains as a kind of repertoire piece. Notably, she is thought to be the first woman to perform it in its entirety. It can also be found in the Projects Collection. All recordings can be found in the Audio Works Collection, while material having to do with the Concert Performances are found here, including video documentation, audio documentation, select text-scores, announcements, reviews and photo documentation. See sub-collections: <a href="https://lynnbook.archive.wfu.edu/collections/show/82">notes on desire, 2003</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/84">CBGB's Concerts, 1999-2000</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/85">Vox Risk Holler, 2003-04</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/86">Book + Aoki, 1992-95</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/83">the dice chronicles, 1993-96</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/87">Book + Robeson, 2009</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/12">Ursonate, 1984-2013</a> Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Book + Robeson, 2009, Winston-Salem, Beta Verde, track 10, desire wish want crave covet Identifier An unambiguous reference to the resource within a given context Book-Robeson_2009_WS-BetaVerde_10.desirewishwantcravecovet Format The file format, physical medium, or dimensions of the resource audio/mp11 Type The nature or genre of the resource sound Relation A related resource Concert Performances Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In copyright - educational use allowed Date A point or period of time associated with an event in the lifecycle of the resource 2009 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- North Carolina -- Forsyth -- Winston-Salem -- Beta Verde Language A language of the resource eng; https://s3.amazonaws.com/lynnbook/original/1aa9f758014e598caaaea4da78d6f5ea.mp3 79f8d6fd4112e51ac94c9019f3da8261 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concert Performances, 1991-2013 Description An account of the resource This Concert Performances Project Collection (1991-2009) is composed of several experimental sound and music projects by Lynn Book that feature her voice, and that are often created in collaboration with musicians, composers and improvisers. This distinct braid of Book’s body of work emerged in about 1991-92 when she lived in Chicago, where she participated in and helped foster contemporary arts and adventurous music scenes. Prior to this time she was primarily invested in making experimental multimedia performance projects that included prerecorded and live sound that she designed, co-created or otherwise performed. The concert moniker refers to the format of performance with its focus on vocal, textual and sonic material that could take shape as spoken or more musical material. Book performed her vocal works accompanied by simple electronics processing and looping devices that she used to layer and expand the sonic terrain, and often worked with sound effects. In this Projects Collection are 3 duo performance projects; “notes on desire” with drummer Kevin Norton (also found under Projects), with bassist Tatsu Aoki and with Rich Robeson on flute and guitar. Multi-voice compositions by Book that she conducted and also performed include 2 works for “Vox Risk Holler”, a non-professional, open chorus she founded in New York City in 2003, and also for one of “the dice chronicles” concert events on the occasion of the CD release of “dice 2 (she says)” that she co-produced with Elise Kermain. The famous Dada composition by Kurt Schwitters,”Ursonate”, published in 1932, has been the only work not created by Book, and remains as a kind of repertoire piece. Notably, she is thought to be the first woman to perform it in its entirety. It can also be found in the Projects Collection. All recordings can be found in the Audio Works Collection, while material having to do with the Concert Performances are found here, including video documentation, audio documentation, select text-scores, announcements, reviews and photo documentation. See sub-collections: <a href="https://lynnbook.archive.wfu.edu/collections/show/82">notes on desire, 2003</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/84">CBGB's Concerts, 1999-2000</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/85">Vox Risk Holler, 2003-04</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/86">Book + Aoki, 1992-95</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/83">the dice chronicles, 1993-96</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/87">Book + Robeson, 2009</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/12">Ursonate, 1984-2013</a> Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Book + Robeson, 2009, Winston-Salem, Beta Verde, track 11, Lullaby Identifier An unambiguous reference to the resource within a given context Book-Robeson_2009_WS-BetaVerde_11.Lullaby Format The file format, physical medium, or dimensions of the resource audio/mp12 Type The nature or genre of the resource sound Relation A related resource Concert Performances Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In copyright - educational use allowed Date A point or period of time associated with an event in the lifecycle of the resource 2009 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- North Carolina -- Forsyth -- Winston-Salem -- Beta Verde Language A language of the resource eng; https://s3.amazonaws.com/lynnbook/original/b1d2f11edf5e71ac97895aae02bb6817.jpg 4876ea9b09c0c39f97df2890ca4248f4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concert Performances, 1991-2013 Description An account of the resource This Concert Performances Project Collection (1991-2009) is composed of several experimental sound and music projects by Lynn Book that feature her voice, and that are often created in collaboration with musicians, composers and improvisers. This distinct braid of Book’s body of work emerged in about 1991-92 when she lived in Chicago, where she participated in and helped foster contemporary arts and adventurous music scenes. Prior to this time she was primarily invested in making experimental multimedia performance projects that included prerecorded and live sound that she designed, co-created or otherwise performed. The concert moniker refers to the format of performance with its focus on vocal, textual and sonic material that could take shape as spoken or more musical material. Book performed her vocal works accompanied by simple electronics processing and looping devices that she used to layer and expand the sonic terrain, and often worked with sound effects. In this Projects Collection are 3 duo performance projects; “notes on desire” with drummer Kevin Norton (also found under Projects), with bassist Tatsu Aoki and with Rich Robeson on flute and guitar. Multi-voice compositions by Book that she conducted and also performed include 2 works for “Vox Risk Holler”, a non-professional, open chorus she founded in New York City in 2003, and also for one of “the dice chronicles” concert events on the occasion of the CD release of “dice 2 (she says)” that she co-produced with Elise Kermain. The famous Dada composition by Kurt Schwitters,”Ursonate”, published in 1932, has been the only work not created by Book, and remains as a kind of repertoire piece. Notably, she is thought to be the first woman to perform it in its entirety. It can also be found in the Projects Collection. All recordings can be found in the Audio Works Collection, while material having to do with the Concert Performances are found here, including video documentation, audio documentation, select text-scores, announcements, reviews and photo documentation. See sub-collections: <a href="https://lynnbook.archive.wfu.edu/collections/show/82">notes on desire, 2003</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/84">CBGB's Concerts, 1999-2000</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/85">Vox Risk Holler, 2003-04</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/86">Book + Aoki, 1992-95</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/83">the dice chronicles, 1993-96</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/87">Book + Robeson, 2009</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/12">Ursonate, 1984-2013</a> Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Book + Robeson, 2009, Winston-Salem, Beta Verde, Lynn floored Identifier An unambiguous reference to the resource within a given context Book-Robeson_2009_WS-BetaVerde_Lynnfloored Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource image;still image Relation A related resource Concert Performances Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In copyright - educational use allowed Date A point or period of time associated with an event in the lifecycle of the resource 2009 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- North Carolina -- Forsyth -- Winston-Salem -- Beta Verde Language A language of the resource eng; https://s3.amazonaws.com/lynnbook/original/fcf8b41269ae59c2f7be2c45991dd8a4.jpg deed9c2406d3d49ad527c245940109b4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concert Performances, 1991-2013 Description An account of the resource This Concert Performances Project Collection (1991-2009) is composed of several experimental sound and music projects by Lynn Book that feature her voice, and that are often created in collaboration with musicians, composers and improvisers. This distinct braid of Book’s body of work emerged in about 1991-92 when she lived in Chicago, where she participated in and helped foster contemporary arts and adventurous music scenes. Prior to this time she was primarily invested in making experimental multimedia performance projects that included prerecorded and live sound that she designed, co-created or otherwise performed. The concert moniker refers to the format of performance with its focus on vocal, textual and sonic material that could take shape as spoken or more musical material. Book performed her vocal works accompanied by simple electronics processing and looping devices that she used to layer and expand the sonic terrain, and often worked with sound effects. In this Projects Collection are 3 duo performance projects; “notes on desire” with drummer Kevin Norton (also found under Projects), with bassist Tatsu Aoki and with Rich Robeson on flute and guitar. Multi-voice compositions by Book that she conducted and also performed include 2 works for “Vox Risk Holler”, a non-professional, open chorus she founded in New York City in 2003, and also for one of “the dice chronicles” concert events on the occasion of the CD release of “dice 2 (she says)” that she co-produced with Elise Kermain. The famous Dada composition by Kurt Schwitters,”Ursonate”, published in 1932, has been the only work not created by Book, and remains as a kind of repertoire piece. Notably, she is thought to be the first woman to perform it in its entirety. It can also be found in the Projects Collection. All recordings can be found in the Audio Works Collection, while material having to do with the Concert Performances are found here, including video documentation, audio documentation, select text-scores, announcements, reviews and photo documentation. See sub-collections: <a href="https://lynnbook.archive.wfu.edu/collections/show/82">notes on desire, 2003</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/84">CBGB's Concerts, 1999-2000</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/85">Vox Risk Holler, 2003-04</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/86">Book + Aoki, 1992-95</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/83">the dice chronicles, 1993-96</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/87">Book + Robeson, 2009</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/12">Ursonate, 1984-2013</a> Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Book + Robeson, 2009, Winston-Salem, Beta Verde, standing in IT Identifier An unambiguous reference to the resource within a given context Book-Robeson_2009_WS-BetaVerde_StandinginIT Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource image;still image Relation A related resource Concert Performances Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In copyright - educational use allowed Date A point or period of time associated with an event in the lifecycle of the resource 2009 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- North Carolina -- Forsyth -- Winston-Salem -- Beta Verde Language A language of the resource eng; https://s3.amazonaws.com/lynnbook/original/a7c75070d48317599d48710de6b8b900.jpg 956f6a43c116ea05b210d2cfd9db4047 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concert Performances, 1991-2013 Description An account of the resource This Concert Performances Project Collection (1991-2009) is composed of several experimental sound and music projects by Lynn Book that feature her voice, and that are often created in collaboration with musicians, composers and improvisers. This distinct braid of Book’s body of work emerged in about 1991-92 when she lived in Chicago, where she participated in and helped foster contemporary arts and adventurous music scenes. Prior to this time she was primarily invested in making experimental multimedia performance projects that included prerecorded and live sound that she designed, co-created or otherwise performed. The concert moniker refers to the format of performance with its focus on vocal, textual and sonic material that could take shape as spoken or more musical material. Book performed her vocal works accompanied by simple electronics processing and looping devices that she used to layer and expand the sonic terrain, and often worked with sound effects. In this Projects Collection are 3 duo performance projects; “notes on desire” with drummer Kevin Norton (also found under Projects), with bassist Tatsu Aoki and with Rich Robeson on flute and guitar. Multi-voice compositions by Book that she conducted and also performed include 2 works for “Vox Risk Holler”, a non-professional, open chorus she founded in New York City in 2003, and also for one of “the dice chronicles” concert events on the occasion of the CD release of “dice 2 (she says)” that she co-produced with Elise Kermain. The famous Dada composition by Kurt Schwitters,”Ursonate”, published in 1932, has been the only work not created by Book, and remains as a kind of repertoire piece. Notably, she is thought to be the first woman to perform it in its entirety. It can also be found in the Projects Collection. All recordings can be found in the Audio Works Collection, while material having to do with the Concert Performances are found here, including video documentation, audio documentation, select text-scores, announcements, reviews and photo documentation. See sub-collections: <a href="https://lynnbook.archive.wfu.edu/collections/show/82">notes on desire, 2003</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/84">CBGB's Concerts, 1999-2000</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/85">Vox Risk Holler, 2003-04</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/86">Book + Aoki, 1992-95</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/83">the dice chronicles, 1993-96</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/87">Book + Robeson, 2009</a> <a href="https://lynnbook.archive.wfu.edu/collections/show/12">Ursonate, 1984-2013</a> Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Book + Robeson, 2009, Winston-Salem, Beta Verde, Rich and Lynn flute 02 Identifier An unambiguous reference to the resource within a given context Book-Robeson_2009_WS-BetaVerde_RichLynnflute02 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource image;still image Relation A related resource Concert Performances Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In copyright - educational use allowed Date A point or period of time associated with an event in the lifecycle of the resource 2009 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- North Carolina -- Forsyth -- Winston-Salem -- Beta Verde Language A language of the resource eng;