1 10 2141 https://s3.amazonaws.com/lynnbook/original/87af49df92893be7215f7028bc64ab46.pdf bb12ce0fc9827874e4c5a0ba846e0885 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gorgeous Fever, 1997, New York, The Kitchen, multimedia performance Date A point or period of time associated with an event in the lifecycle of the resource 1997 Rights Information about rights held in and over the resource In Copyright - educational use allowed Relation A related resource Gorgeous Fever Language A language of the resource eng; Identifier An unambiguous reference to the resource within a given context GorFev_1997_NYC-Kitchen_mult-perf Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- New York -- New York -- New York -- The Kitchen Description An account of the resource <a href="https://lynnbook.archive.wfu.edu/collections/show/1">Return to Gorgeous Fever</a> Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gorgeous Fever, 1996, New York, Kitchen, multimedia performance, photo series Identifier An unambiguous reference to the resource within a given context GorFev_1997_NYC-Kitchen_mult-perf_photoseries Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource image;still image Relation A related resource Gorgeous Fever Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In Copyright - educational use allowed Date A point or period of time associated with an event in the lifecycle of the resource 1997 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- New York -- New York -- New York -- Kitchen Language A language of the resource eng; https://s3.amazonaws.com/lynnbook/original/beb92d6d472177854d8489050582787a.pdf 5acd72315a166ce2ec1db90dd89b4e7c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gorgeous Fever, 1996, Cleveland, Cleveland Performance Arts Festival, multimedia performance Description An account of the resource <a href="https://lynnbook.archive.wfu.edu/collections/show/1">Return to Gorgeous Fever</a> Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gorgeous Fever, 1996, Cleveland, multimedia performance, photo series Identifier An unambiguous reference to the resource within a given context GorFev_1996_Clvd_mult-perf_photoseries Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource image;still image Relation A related resource Gorgeous Fever Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In Copyright - educational use allowed Date A point or period of time associated with an event in the lifecycle of the resource 1996 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- Ohio -- Cuyahoga -- Cleveland Language A language of the resource eng; https://s3.amazonaws.com/lynnbook/original/dab0b484a43bf9c060ad25896dce3194.pdf d7ffdb7870a49d584518ff989ce9d11f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gorgeous Fever, 1994, Chicago, Randolph Street Gallery, multimedia performance Date A point or period of time associated with an event in the lifecycle of the resource 1994 Rights Information about rights held in and over the resource In Copyright - Educational Use Allowed Relation A related resource Gorgeous Fever Language A language of the resource eng Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- Illinois -- Cook -- Chicago -- Randolph Street Gallery Description An account of the resource <a href="https://lynnbook.archive.wfu.edu/collections/show/1">Return to Gorgeous Fever</a> Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gorgeous Fever, 1994, Chicago, Randolph Street Gallery, multimedia performance, photo series Identifier An unambiguous reference to the resource within a given context GorFev_1994_Chgo-RSG_mult-perf_photoseries Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource image;still image Relation A related resource Gorgeous Fever Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In Copyright - educational use allowed Date A point or period of time associated with an event in the lifecycle of the resource 1994 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- Illinois -- Cook -- Chicago -- Randolph Street Gallery Language A language of the resource eng; https://s3.amazonaws.com/lynnbook/original/88030ca1e00fdff77a53750f33f2bb30.pdf 2fb8cc0fef27b0624fb3cd113ac1b6d9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Vision, 1989-91, multimedia performance Description An account of the resource Lynn Book’s original multimedia performance project, Physical Vision, premiered at Randolph Street Gallery, in Chicago, December, 1989 and continued to be performed through 1990 at venues in Chicago and New York. For this solo project, Book was interrogating Woman’s subjectivity within and outside of patriarchal structures, in particular, via language and visual representation. Book’s provocative physicality in conjunction with disruptive writing and voice tactics challenged notions of the 19th C hysteric feminine that initiates the performance as a preset with the performer arranging flowers in a large vase as the audience enters the space. Sketching a disjointed trajectory Book transforms into a complexity of gender plays, ending with a typically masculinized rock and roller contemporary to the time of the performance in the late 1980s. The project marked the first time Book worked with a director - Jill Daly, and was a continuation of her collaboration with experimental filmmaker, Sharon Couzin that began with “Standing In”. Cousin shot and edited a short film, with Book (co-directing the film) and Daly performing that worked with selected text from Marguerite Duras’ “The Malady of Death”. Kent Devereaux composed sound for the project and Lou Mallozzi was the lighting designer. Book wrote and/or arranged found text (except for the Duras excerpt) and composed the vocal melodies. Items included in this collection include: video documentation from the Randolph Street Gallery and Organic Theater performances, as well as 2 studies; 60 color photo slides from the Organic Theater performance, performance text, a film for the performance, audio files played during the performance, press reviews, venue brochures, announcements. Collaborators/Credits: Lynn Book, artist, writer*, co-film director, co-sound designer, set and costume designer Jill Daly, director, co-performer in film Sharon Couzin, filmmaker, co-film director Kent Devereaux, composer, co-sound designer Lou Mallozzi, lighting designer *The performance text was written primarily by Book, but also included excerpts from Marguerite Duras’, “The Malady of Death”, a medieval description of odiferous atmospheres, edited by Piero Camporesi titled, “The Incorruptible Flesh: Bodily Mutation and Mortification in Religion and Folklore”, and a found text on the term corsage. A primary theoretical reference was Trinh T. Minh Haha’s, “Woman, Native, Other”. Additional references of note included critical French Feminists Helene Cixous and Luce Irigaray. Performances: Physical Vision, study, 1989, Club Lower Links, Chicago, benefit for Whitewalls, a magazine of writings by artists published in Chicago (1978-2002) Physical Vision, study, 1989, Memphis Center for Contemporary Art, Memphis Physical Vision, study, 1989, WKNO TV broadcast with interview, Memphis Physical Vision, premier, 1989, Randolph Street Gallery, Chicago Physical Vision, 1990, Organic Theater, Chicago Physical Vision, 1990, Chicago Academy for the Arts, Chicago Physical Vision, 1990, BACA Downtown, Brooklyn, NY Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Vision, 1990, Chicago, MCCA, multimedia performance, photo series 03 Identifier An unambiguous reference to the resource within a given context PhyVis_1990_Chgo-Organic_mult-perf_photoseries03 Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource image;still image Relation A related resource Physical Vision Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In Copyright - educational use allowed Date A point or period of time associated with an event in the lifecycle of the resource 1990 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- Illinois -- Cook -- Chicago -- Organic Theater Language A language of the resource eng; https://s3.amazonaws.com/lynnbook/original/4bdc9266dcbac1a48ad3c5a5113ac630.pdf 4dfe0947133fd532f7957591485b7721 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Vision, 1989-91, multimedia performance Description An account of the resource Lynn Book’s original multimedia performance project, Physical Vision, premiered at Randolph Street Gallery, in Chicago, December, 1989 and continued to be performed through 1990 at venues in Chicago and New York. For this solo project, Book was interrogating Woman’s subjectivity within and outside of patriarchal structures, in particular, via language and visual representation. Book’s provocative physicality in conjunction with disruptive writing and voice tactics challenged notions of the 19th C hysteric feminine that initiates the performance as a preset with the performer arranging flowers in a large vase as the audience enters the space. Sketching a disjointed trajectory Book transforms into a complexity of gender plays, ending with a typically masculinized rock and roller contemporary to the time of the performance in the late 1980s. The project marked the first time Book worked with a director - Jill Daly, and was a continuation of her collaboration with experimental filmmaker, Sharon Couzin that began with “Standing In”. Cousin shot and edited a short film, with Book (co-directing the film) and Daly performing that worked with selected text from Marguerite Duras’ “The Malady of Death”. Kent Devereaux composed sound for the project and Lou Mallozzi was the lighting designer. Book wrote and/or arranged found text (except for the Duras excerpt) and composed the vocal melodies. Items included in this collection include: video documentation from the Randolph Street Gallery and Organic Theater performances, as well as 2 studies; 60 color photo slides from the Organic Theater performance, performance text, a film for the performance, audio files played during the performance, press reviews, venue brochures, announcements. Collaborators/Credits: Lynn Book, artist, writer*, co-film director, co-sound designer, set and costume designer Jill Daly, director, co-performer in film Sharon Couzin, filmmaker, co-film director Kent Devereaux, composer, co-sound designer Lou Mallozzi, lighting designer *The performance text was written primarily by Book, but also included excerpts from Marguerite Duras’, “The Malady of Death”, a medieval description of odiferous atmospheres, edited by Piero Camporesi titled, “The Incorruptible Flesh: Bodily Mutation and Mortification in Religion and Folklore”, and a found text on the term corsage. A primary theoretical reference was Trinh T. Minh Haha’s, “Woman, Native, Other”. Additional references of note included critical French Feminists Helene Cixous and Luce Irigaray. Performances: Physical Vision, study, 1989, Club Lower Links, Chicago, benefit for Whitewalls, a magazine of writings by artists published in Chicago (1978-2002) Physical Vision, study, 1989, Memphis Center for Contemporary Art, Memphis Physical Vision, study, 1989, WKNO TV broadcast with interview, Memphis Physical Vision, premier, 1989, Randolph Street Gallery, Chicago Physical Vision, 1990, Organic Theater, Chicago Physical Vision, 1990, Chicago Academy for the Arts, Chicago Physical Vision, 1990, BACA Downtown, Brooklyn, NY Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Vision, 1990, Chicago, MCCA, multimedia performance, photo series 02 Identifier An unambiguous reference to the resource within a given context PhyVis_1990_Chgo-Organic_mult-perf_photoseries02 Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource image;still image Relation A related resource Physical Vision Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In Copyright - educational use allowed Date A point or period of time associated with an event in the lifecycle of the resource 1990 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- Illinois -- Cook -- Chicago -- Organic Theater Language A language of the resource eng; https://s3.amazonaws.com/lynnbook/original/94aff299e241af6a7ad7ac3367d20ea4.pdf 448de0763bfdf6aab1bcdcb64e5a5d31 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Vision, 1989-91, multimedia performance Description An account of the resource Lynn Book’s original multimedia performance project, Physical Vision, premiered at Randolph Street Gallery, in Chicago, December, 1989 and continued to be performed through 1990 at venues in Chicago and New York. For this solo project, Book was interrogating Woman’s subjectivity within and outside of patriarchal structures, in particular, via language and visual representation. Book’s provocative physicality in conjunction with disruptive writing and voice tactics challenged notions of the 19th C hysteric feminine that initiates the performance as a preset with the performer arranging flowers in a large vase as the audience enters the space. Sketching a disjointed trajectory Book transforms into a complexity of gender plays, ending with a typically masculinized rock and roller contemporary to the time of the performance in the late 1980s. The project marked the first time Book worked with a director - Jill Daly, and was a continuation of her collaboration with experimental filmmaker, Sharon Couzin that began with “Standing In”. Cousin shot and edited a short film, with Book (co-directing the film) and Daly performing that worked with selected text from Marguerite Duras’ “The Malady of Death”. Kent Devereaux composed sound for the project and Lou Mallozzi was the lighting designer. Book wrote and/or arranged found text (except for the Duras excerpt) and composed the vocal melodies. Items included in this collection include: video documentation from the Randolph Street Gallery and Organic Theater performances, as well as 2 studies; 60 color photo slides from the Organic Theater performance, performance text, a film for the performance, audio files played during the performance, press reviews, venue brochures, announcements. Collaborators/Credits: Lynn Book, artist, writer*, co-film director, co-sound designer, set and costume designer Jill Daly, director, co-performer in film Sharon Couzin, filmmaker, co-film director Kent Devereaux, composer, co-sound designer Lou Mallozzi, lighting designer *The performance text was written primarily by Book, but also included excerpts from Marguerite Duras’, “The Malady of Death”, a medieval description of odiferous atmospheres, edited by Piero Camporesi titled, “The Incorruptible Flesh: Bodily Mutation and Mortification in Religion and Folklore”, and a found text on the term corsage. A primary theoretical reference was Trinh T. Minh Haha’s, “Woman, Native, Other”. Additional references of note included critical French Feminists Helene Cixous and Luce Irigaray. Performances: Physical Vision, study, 1989, Club Lower Links, Chicago, benefit for Whitewalls, a magazine of writings by artists published in Chicago (1978-2002) Physical Vision, study, 1989, Memphis Center for Contemporary Art, Memphis Physical Vision, study, 1989, WKNO TV broadcast with interview, Memphis Physical Vision, premier, 1989, Randolph Street Gallery, Chicago Physical Vision, 1990, Organic Theater, Chicago Physical Vision, 1990, Chicago Academy for the Arts, Chicago Physical Vision, 1990, BACA Downtown, Brooklyn, NY Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Vision, 1990, Chicago, MCCA, multimedia performance, photo series 01 Identifier An unambiguous reference to the resource within a given context PhyVis_1990_Chgo-Organic_mult-perf_photoseries01 Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource image;still image Relation A related resource Physical Vision Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In Copyright - educational use allowed Date A point or period of time associated with an event in the lifecycle of the resource 1990 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- Illinois -- Cook -- Chicago -- Organic Theater Language A language of the resource eng; https://s3.amazonaws.com/lynnbook/original/f2b1f297e0c0d754c15c7be7d60a4eef.pdf c0bee1347d6516c0aa83c13d1e58c23d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Vision, 1989-91, multimedia performance Description An account of the resource Lynn Book’s original multimedia performance project, Physical Vision, premiered at Randolph Street Gallery, in Chicago, December, 1989 and continued to be performed through 1990 at venues in Chicago and New York. For this solo project, Book was interrogating Woman’s subjectivity within and outside of patriarchal structures, in particular, via language and visual representation. Book’s provocative physicality in conjunction with disruptive writing and voice tactics challenged notions of the 19th C hysteric feminine that initiates the performance as a preset with the performer arranging flowers in a large vase as the audience enters the space. Sketching a disjointed trajectory Book transforms into a complexity of gender plays, ending with a typically masculinized rock and roller contemporary to the time of the performance in the late 1980s. The project marked the first time Book worked with a director - Jill Daly, and was a continuation of her collaboration with experimental filmmaker, Sharon Couzin that began with “Standing In”. Cousin shot and edited a short film, with Book (co-directing the film) and Daly performing that worked with selected text from Marguerite Duras’ “The Malady of Death”. Kent Devereaux composed sound for the project and Lou Mallozzi was the lighting designer. Book wrote and/or arranged found text (except for the Duras excerpt) and composed the vocal melodies. Items included in this collection include: video documentation from the Randolph Street Gallery and Organic Theater performances, as well as 2 studies; 60 color photo slides from the Organic Theater performance, performance text, a film for the performance, audio files played during the performance, press reviews, venue brochures, announcements. Collaborators/Credits: Lynn Book, artist, writer*, co-film director, co-sound designer, set and costume designer Jill Daly, director, co-performer in film Sharon Couzin, filmmaker, co-film director Kent Devereaux, composer, co-sound designer Lou Mallozzi, lighting designer *The performance text was written primarily by Book, but also included excerpts from Marguerite Duras’, “The Malady of Death”, a medieval description of odiferous atmospheres, edited by Piero Camporesi titled, “The Incorruptible Flesh: Bodily Mutation and Mortification in Religion and Folklore”, and a found text on the term corsage. A primary theoretical reference was Trinh T. Minh Haha’s, “Woman, Native, Other”. Additional references of note included critical French Feminists Helene Cixous and Luce Irigaray. Performances: Physical Vision, study, 1989, Club Lower Links, Chicago, benefit for Whitewalls, a magazine of writings by artists published in Chicago (1978-2002) Physical Vision, study, 1989, Memphis Center for Contemporary Art, Memphis Physical Vision, study, 1989, WKNO TV broadcast with interview, Memphis Physical Vision, premier, 1989, Randolph Street Gallery, Chicago Physical Vision, 1990, Organic Theater, Chicago Physical Vision, 1990, Chicago Academy for the Arts, Chicago Physical Vision, 1990, BACA Downtown, Brooklyn, NY Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Vision, 1989, Chicago, MCCA, multimedia performance, photo series Identifier An unambiguous reference to the resource within a given context PhyVis_1989_Chgo-MCCA_mult-perf_photoseries Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource image;still image Relation A related resource Physical Vision Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In Copyright - educational use allowed Date A point or period of time associated with an event in the lifecycle of the resource 1989 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- Illinois -- Cook -- Chicago -- MCCA Language A language of the resource eng; https://s3.amazonaws.com/lynnbook/original/16fe69876d492cf3cc26bfaa0b92468a.pdf be4b082c7d1b4c8072dd6cd62589a2c7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource notes on desire, 2003-06, concert performance project Description An account of the resource Lynn Book first presented “notes on desire” in concert with collaborator drummer, percussionist and composer, Kevin Norton, in 2003 at Roulette, New York City. Initiated out of Book’s notes, writings, and composition ideas on her longstanding investigation of states of desire – from bodily erotism to material consumption – the duo created new musical and sonic environments, with Book on voice, electronics and sound effects. A thematically coherent assemblage of 8 discreet works found form in “bird” with Norton on vibraphone and Book hovering between extended sound and impressionistic words, and “blink”, a driving rant text by Book written on September 10, 2001 and in the post 9-11 Iraq war days. Valeria Vasilevski directed this performative concert in collaboration with Book, whose creative works often involved distinct image-based, physical stagings. Vasilevski also directed Book at the Kitchen for the final iteration of “Gorgeous Fever” (1997). Book performed several works at Roulette from the early 90s to 2007 an important New York City (and now Brooklyn) venue for contemporary new and experimental music. Other performances of “notes on desire” included a solo version by Book at the Bowery Poetry Club, NYC and with a small ensemble at Wake Forest University in 2006, including Jacqui Carrasco on violin (also collaborating with Book in the “Regarding Next” project) and Joe Morgan, electronics, with a cameo appearance by Mark Linga on accordion. Book and Norton performed iterations of “notes on desire” in Chicago at Hothouse and the Michiana Festival, Michigan in July, 2003. Book later recorded some of these works and/or used excerpts from live recordings of the Roulette concert on her 2009 self-published CD, “voicing bodies”, also included in the LBPA. The “notes on desire” collection includes: video documentation from 2 performances, 4 text-scores by Book, printed matter including card announcements, flyers, venue brochure, press reviews, and photo stills Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource notes on desire, 2003, New York, Roulette, concert performance, photo series Identifier An unambiguous reference to the resource within a given context notesondes_2003_NYC-Roulette_con-perf_photoseries Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource image;still image Relation A related resource notes on desire Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In Copyright - educational use allowed Date A point or period of time associated with an event in the lifecycle of the resource 2003 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- New York -- New York -- New York -- Roulette Language A language of the resource eng; https://s3.amazonaws.com/lynnbook/original/5ea9774f99b42b003dfcef4b84f8f08c.pdf be4b082c7d1b4c8072dd6cd62589a2c7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource notes on desire, concert performance Description An account of the resource Lynn Book first presented “notes on desire” in concert with collaborator drummer, percussionist and composer, Kevin Norton, in 2003 at Roulette, New York City. Initiated out of Book’s notes, writings, and composition ideas on her longstanding investigation of states of desire – from bodily erotism to material consumption – the duo created new musical and sonic environments, with Book on voice, electronics and sound effects. A thematically coherent assemblage of 8 discreet works found form in “bird” with Norton on vibraphone and Book hovering between extended sound and impressionistic words, and “blink”, a driving rant text by Book written on September 10, 2001 and in the post 9-11 Iraq war days. Valeria Vasilevski directed this performative concert in collaboration with Book, whose creative works often involved distinct image-based, physical stagings. Vasilevski also directed Book at the Kitchen for the final iteration of “Gorgeous Fever” (1997). Book performed several works at Roulette from the early 90s to 2007 an important New York City (and now Brooklyn) venue for contemporary new and experimental music. Other performances of “notes on desire” included a solo version by Book at the Bowery Poetry Club, NYC and with a small ensemble at Wake Forest University in 2006, including Jacqui Carrasco on violin (also collaborating with Book in the “Regarding Next” project) and Joe Morgan, electronics, with a cameo appearance by Mark Linga on accordion. Book and Norton performed iterations of “notes on desire” in Chicago at Hothouse and the Michiana Festival, Michigan in July, 2003. Book later recorded some of these works and/or used excerpts from live recordings of the Roulette concert on her 2009 self-published CD, “voicing bodies”, also included in the LBPA. The “notes on desire” collection includes: video documentation from 2 performances, 4 text-scores by Book, printed matter including card announcements, flyers, venue brochure, press reviews, and photo stills <a href="http://lynnbook.archive.wfu.edu/collections/show/67">Return to Concert Performances</a> This concert performance is part of a larger concert performance project. To explore the entire project, see: <a href="https://lynnbook.archive.wfu.edu/collections/show/9">notes on desire, 2003-06, concert performance project</a> Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource notes on desire, 2003, New York, Roulette, concert performance, photo series Identifier An unambiguous reference to the resource within a given context notesondes_2003_NYC-Roulette_con-perf_photoseries Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource image;still image Relation A related resource notes on desire Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In Copyright - educational use allowed Date A point or period of time associated with an event in the lifecycle of the resource 2003 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- New York -- New York -- New York -- Roulette Language A language of the resource eng; https://s3.amazonaws.com/lynnbook/original/d120e8eba864844a99f5de40a611d8ea.pdf 34af87a608b8bbc0292f9fabcb0eba3f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mercuria, 1995-98, multimedia performance Date A point or period of time associated with an event in the lifecycle of the resource 1995-1998 Description An account of the resource “Mercuria” was a collaborative multimedia project that Lynn Book developed and performed with vocal artist and Meredith Monk company member, Theo Bleckmann from 1995 to 1998. The Mercuria collection is comprised of several video documents from Chicago and New York including the Museum of Contemporary Art, Chicago, and at HERE in New York City. Overall, the artists considered this project an encounter with the fluidity of time, desire, sexuality and memory through robust vocal and physical experimentation and composition. They co-designed the lighting and staging, as well as the real time recording through various audio cassette players known as the ‘walkman’. Book was the primary writer of text passages for the performance, with Beckmann contributing to more improvised sections, such as “Two Fighters”. “Mercuria” got its start as “In Passing” when Book was invited for a project residency at one of Chicago’s most enduring alternative artist-run spaces (1973-1997). She and Bleckmann, who lived in New York, launched their process via “mail, fax, phone and tape”. Collaborators along the way included, Chris Pretorious, Eric Leonardson and Jens Brand. The collection includes several video documents, both edited and complete performances, performance text and notes, color slides and photo stills, venue brochures and announcements, and press reviews. Credits: Lynn Book, co-creator, co-artistic director, writer, composer, performer Theo Bleckmann, co-creator, co-artistic director, composer, performer Collaborators and Contributors: Jens Brand, Sound Chris Pretorious, Lighting Eric Leonardson, Sound Performance Dates: 1995, N.A.M.E. Gallery, Chicago 1996, Movement Research at Judson Church, New York City 1997, Museum of Contemporary Art, Chicago 1998, HERE, New York City Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mercuria, 1995, Chicago, N.A.M.E. Gallery, multimedia performance, photo series Identifier An unambiguous reference to the resource within a given context Mercuria_1995_Chgo-NAME_mult-perf_photoseries Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource image;still image Relation A related resource Mercuria Creator An entity primarily responsible for making the resource Book, Lynn Rights Information about rights held in and over the resource In Copyright - educational use allowed Date A point or period of time associated with an event in the lifecycle of the resource 1995 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant US -- Illinois -- Cook -- Chicago -- N.A.M.E. Gallery Language A language of the resource eng;