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                  <text>&lt;p style="font-size: 12px;"&gt;Escapes is a video art work created by Lynn Book in 2012 with video footage and editing contributions from Brent Richardson. The artist considers it a book of poems that is at the heart of “Unreading for Future Bodies”, a long-scale transmedia work that is realized through a suite of videos, live performance and installation with the videos, published artworks in journals (both in print and online). Escapes emerged from a series of performance projects interrogating opera, Greek tragedy, and narrative voice and continues &lt;br /&gt;&lt;br /&gt;The 8 poems can be viewed from beginning to end in a fixed running time of 23:21. In the hypertext version found on Lynn Book’s Vimeo channel, the reader/participant can click on any one of the Escapes poems (or titles, preface and credits). All the video titles begin with ‘Escapes’ and have a running time of about 1:30 to 5:20 in length. &lt;br /&gt;The multiplicity of possibilities for entrances and exits in and out of the work, become escapes from, and also toward, the story of Phaedra, as well as the viewer’s own liberation story-to-be.&lt;br /&gt;&lt;br /&gt;Credits:&lt;br /&gt;Lynn Book - Concept, Artistic Director, Writer, Photography, Video, Performer&lt;br /&gt;Lynn Book, Shawn Decker – Sound, Voice, Music&lt;br /&gt;Brent Richardson, Lynn Book - Editors&lt;/p&gt;</text>
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                <text>escapes, poem 4,  fire in the palace!</text>
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                <text>Lynn Book Projects&lt;br /&gt;published via YouTube.com</text>
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                  <text>&lt;a href="https://lynnbook.archive.wfu.edu/collections/show/31"&gt;Return to Early Works - Performance Art&lt;/a&gt;</text>
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                  <text>&lt;p style="font-size: 12px;"&gt;Lynn Book first presented “notes on desire” in concert with collaborator drummer, percussionist and composer, Kevin Norton, in 2003 at Roulette, New York City. Initiated out of Book’s notes, writings, and composition ideas on her longstanding investigation of states of desire – from bodily erotism to material consumption – the duo created new musical and sonic environments, with Book on voice, electronics and sound effects. A thematically coherent assemblage of 8 discreet works found form in “bird” with Norton on vibraphone and Book hovering between extended sound and impressionistic words, and “blink”, a driving rant text by Book written on September 10, 2001 and in the post 9-11 Iraq war days. Valeria Vasilevski directed this performative concert in collaboration with Book, whose creative works often involved distinct image-based, physical stagings. Vasilevski also directed Book at the Kitchen for the final iteration of “Gorgeous Fever” (1997). Book performed several works at Roulette from the early 90s to 2007 an important New York City (and now Brooklyn) venue for contemporary new and experimental music. Other performances of “notes on desire” included a solo version by Book at the Bowery Poetry Club, NYC and with a small ensemble at Wake Forest University in 2006, including Jacqui Carrasco on violin (also collaborating with Book in the “Regarding Next” project) and Joe Morgan, electronics, with a cameo appearance by Mark Linga on accordion. Book and Norton performed iterations of “notes on desire” in Chicago at Hothouse and the Michiana Festival, Michigan in July, 2003. Book later recorded some of these works and/or used excerpts from live recordings of the Roulette concert on her 2009 self-published CD, “voicing bodies”, also included in the LBPA. The “notes on desire” collection includes: video documentation from 2 performances, 4 text-scores by Book, printed matter including card announcements, flyers, venue brochure, press reviews, and photo stills&lt;br /&gt;&lt;br /&gt;&lt;a href="http://lynnbook.archive.wfu.edu/collections/show/67"&gt;Return to Concert Performances&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This concert performance is part of a larger concert performance project. To explore the entire project, see: &lt;a href="https://lynnbook.archive.wfu.edu/collections/show/9"&gt;notes on desire, 2003-06, concert performance project&lt;/a&gt;&lt;/p&gt;</text>
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