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                  <text>Regarding Next, 2007-08</text>
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                  <text>&lt;p style="font-size: 12px;"&gt;Lynn Book’s “RE:garding Next '' ( 2007-08) was a ‘collaborative culture project’ exploring utopian desire as a platform for radically imagining collective ‘nexts’. A host of collaborators, student participants and communities were involved through exhibitions, classes, workshops and performances in the U.S. and in Europe. The Southeastern Center for Contemporary Art (SECCA) in Winston-Salem, NC was the producing institution hosting the multilayered project with an evolving exhibition in the Balcony Gallery from January - April, followed by a large-scale multimedia performance in the McChesney Scott Dunn Auditorium there. Book, Klement and Carrasco performed a concert version at Roulette in New York City, and then Book and Klement created a duo version continuing the utopia work at a granular scale in Pittsburgh at SPACE Gallery and in 2008 at Amman Studios in Vienna, Austria. Also, in 2008, further iterations occurred through residency with Transart Institute that included a workshop and performance, and an exhibition in Linz, Austria.&lt;br /&gt;&lt;br /&gt;SECCA is where the foundational project took place and encapsulated all three of these areas, with subsequent performances, a workshop and a satellite exhibition occurring in modular form later. Included here is a documentary short about the SECCA project, video elements used in performances, photo documentation, project development notes and materials, performance structures, workshop documents and printed matter such as venue brochures, programs and press releases. More detailed descriptions can be found in each of the subcollections.&lt;br /&gt;&lt;br /&gt;SECCA, NC&lt;br /&gt;Lynn Book: director, writer, co-composer, artist, exhibition designer, performer&lt;br /&gt;Katharina Klement: co-composer, musician, concept collaborator&lt;br /&gt;Jacqui Carrasco: musician, performer&lt;br /&gt;Johannes Knesl: exhibition architecture&lt;br /&gt;Jennifer Gentry: graphic design&lt;br /&gt;Jack Lucido: project videographer&lt;br /&gt;Dean Wilcox: lighting designer for performance&lt;br /&gt;Chris Kennedy and Jeff Irving: sound engineering for performance&lt;br /&gt;&lt;br /&gt;16 student performers:&lt;br /&gt;Mitchell Anderson Andrew Kishman&lt;br /&gt;Molly Andersen Jason Nguyen&lt;br /&gt;Kellie Cavagnaro Nate Reister&lt;br /&gt;Lily Cottrell Adrian Singerman&lt;br /&gt;Amit Dorf Cailey Sweatt&lt;br /&gt;Pete Dunlap Alden Speake&lt;br /&gt;Matt Gutschick Ben Whiting&lt;br /&gt;Carolyn Jones&lt;br /&gt;&lt;br /&gt;Roulette, NYC&lt;br /&gt;Lynn Book: director, writer, co-composer, artist, performer&lt;br /&gt;Katharina Klement: co-composer, musician, concept collaborator&lt;br /&gt;Jacqui Carrasco: musician, performer&lt;br /&gt;Jack Lucido: video projection&lt;br /&gt;&lt;br /&gt;SPACE Gallery, Pittsburgh, PA&lt;br /&gt;Lynn Book: writer, co-composer, vocalist&lt;br /&gt;Katharina Klement: co-composer, musician&lt;br /&gt;&lt;br /&gt;Amman Studios, Vienna, AT&lt;br /&gt;Lynn Book: writer, co-composer, vocalist&lt;br /&gt;Katharina Klement: co-composer, musician&lt;br /&gt;&lt;br /&gt;B.V. Gallery, Linz, AT&lt;br /&gt;Lynn Book: artist, writer, installation staging&lt;br /&gt;Other contributors: Jennifer Gentry, graphic design and Jack Lucido, video projection&lt;br /&gt;&lt;br /&gt;OK Zentrum, Linz, AT&lt;br /&gt;Lynn Book: artist in residence, workshop and performance director&lt;br /&gt;12 MFA candidates, Transart Institute&lt;br /&gt;&lt;br /&gt;Funding and support for “RE:garding Next” was provided in part by The Mary Duke Biddle Foundation, the Austrian Cultural Forum, New York, the Archie Fund for Faculty Excellence and the Pro Humanitate Creativity and Innovation Fund of Wake Forest University, and the Forsyth County Public School System for an artist residency at Reynolds High School in Winston-Salem, NC.&lt;br /&gt;&lt;br /&gt;Other producing and supporting organizations included Roulette, New York City and SPACE Gallery, Pittsburgh, PA in the US, and Amman Studios, Vienna, Austria. A Transart Institute residency provided support for the Making New workshop and performance at OK Zentrum and the RE:garding Next 2 exhibition at B.V. Gallery, Linz, Austria.&lt;/p&gt;</text>
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                  <text>&lt;p style="font-size: 12px;"&gt;This Concert Performances Project Collection (1991-2009) is composed of several experimental sound and music projects by Lynn Book that feature her voice, and that are often created in collaboration with musicians, composers and improvisers. This distinct braid of Book’s body of work emerged in about 1991-92 when she lived in Chicago, where she participated in and helped foster contemporary arts and adventurous music scenes. Prior to this time she was primarily invested in making experimental multimedia performance projects that included prerecorded and live sound that she designed, co-created or otherwise performed. The concert moniker refers to the format of performance with its focus on vocal, textual and sonic material that could take shape as spoken or more musical material.&lt;br /&gt;&lt;br /&gt;Book performed her vocal works accompanied by simple electronics processing and looping devices that she used to layer and expand the sonic terrain, and often worked with sound effects. In this Projects Collection are 3 duo performance projects; “notes on desire” with drummer Kevin Norton (also found under Projects), with bassist Tatsu Aoki and with Rich Robeson on flute and guitar. Multi-voice compositions by Book that she conducted and also performed include 2 works for “Vox Risk Holler”, a non-professional, open chorus she founded in New York City in 2003, and also for one of “the dice chronicles” concert events on the occasion of the CD release of “dice 2 (she says)” that she co-produced with Elise Kermain. The famous Dada composition by Kurt Schwitters,”Ursonate”, published in 1932, has been the only work not created by Book, and remains as a kind of repertoire piece. Notably, she is thought to be the first woman to perform it in its entirety. It can also be found in the Projects Collection. All recordings can be found in the Audio Works Collection, while material having to do with the Concert Performances are found here, including video documentation, audio documentation, select text-scores, announcements, reviews and photo documentation. See sub-collections:&lt;br /&gt;&lt;br /&gt;&lt;a href="https://lynnbook.archive.wfu.edu/collections/show/82"&gt;notes on desire, 2003&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="https://lynnbook.archive.wfu.edu/collections/show/84"&gt;CBGB's Concerts, 1999-2000&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="https://lynnbook.archive.wfu.edu/collections/show/85"&gt;Vox Risk Holler, 2003-04&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="https://lynnbook.archive.wfu.edu/collections/show/86"&gt;Book + Aoki, 1992-95&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="https://lynnbook.archive.wfu.edu/collections/show/83"&gt;the dice chronicles, 1993-96&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="https://lynnbook.archive.wfu.edu/collections/show/87"&gt;Book + Robeson, 2009&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="https://lynnbook.archive.wfu.edu/collections/show/12"&gt;Ursonate, 1984-2013&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>&lt;p style="font-size: 12px;"&gt;Escapes is a video art work created by Lynn Book in 2012 with video footage and editing contributions from Brent Richardson. The artist considers it a book of poems that is at the heart of “Unreading for Future Bodies”, a long-scale transmedia work that is realized through a suite of videos, live performance and installation with the videos, published artworks in journals (both in print and online). Escapes emerged from a series of performance projects interrogating opera, Greek tragedy, and narrative voice and continues &lt;br /&gt;&lt;br /&gt;The 8 poems can be viewed from beginning to end in a fixed running time of 23:21. In the hypertext version found on Lynn Book’s Vimeo channel, the reader/participant can click on any one of the Escapes poems (or titles, preface and credits). All the video titles begin with ‘Escapes’ and have a running time of about 1:30 to 5:20 in length. &lt;br /&gt;The multiplicity of possibilities for entrances and exits in and out of the work, become escapes from, and also toward, the story of Phaedra, as well as the viewer’s own liberation story-to-be.&lt;br /&gt;&lt;br /&gt;Credits:&lt;br /&gt;Lynn Book - Concept, Artistic Director, Writer, Photography, Video, Performer&lt;br /&gt;Lynn Book, Shawn Decker – Sound, Voice, Music&lt;br /&gt;Brent Richardson, Lynn Book - Editors&lt;/p&gt;</text>
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                <text>escapes, poem 7, tongue fish guarding the ocean</text>
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